Blondie – Eat To The Beat
Tracklist
| A1 | Dreaming | 3:04 | |
| A2 | The Hardest Part | 3:40 | |
| A3 | Union City Blue | 3:19 | |
| A4 | Shayla | 3:55 | |
| A5 | Eat To The Beat | 2:38 | |
| A6 | Accidents Never Happen | 4:12 | |
| A7 | Heart Of Glass | 5:48 | |
| B1 | Die Young Stay Pretty | 3:32 | |
| B2 | Slow Motion | 3:26 | |
| B3 | Atomic | 4:38 | |
| B4 | Sound Asleep | 4:13 | |
| B5 | Victor | 3:17 | |
| B6 | Living In The Real World | 2:42 | |
| B7 | Sunday Girl | 3:14 |
Companies, etc.
- Recorded At – Power Station
- Recorded At – Electric Lady Studios
- Recorded At – Mediasound
- Mixed At – MCA Whitney Recording Studios
- Mastered At – MCA Whitney Recording Studios
- Published By – Rare Blue Music, Inc.
- Published By – Monster Island Music
- Phonographic Copyright ℗ – Chrysalis Records
- Manufactured By – Toshiba EMI Ltd
Credits
- Art Direction – Billy Bass
- Design, Photography By – Norman Seeff
- Design, Typography – John Van Hamersveld
- Engineer – Peter Coleman
- Liner Notes – 東郷かおる子*
- Liner Notes [Lyrics Translation] – 落流鳥
- Mastered By – Steve Hall
- Producer – Mike Chapman
Notes
Issued with obi, 4-page liner notes/history/lyric insert and custom inner sleeve.
Recorded at the Power Station, Electric Lady & Media Sound, N.Y. April '79 to June '79.
Mixed and mastered at MCA WHITNEY STUDIOS, Glendale, CA
Published by Rare Blue Music Inc. / Monster Island Music (ASCAP)
℗1979 Chrysalis Records
Manufactured by Toshiba EMI, Ltd., Japan
Recorded at the Power Station, Electric Lady & Media Sound, N.Y. April '79 to June '79.
Mixed and mastered at MCA WHITNEY STUDIOS, Glendale, CA
Published by Rare Blue Music Inc. / Monster Island Music (ASCAP)
℗1979 Chrysalis Records
Manufactured by Toshiba EMI, Ltd., Japan
Barcode and Other Identifiers
- Matrix / Runout (Side A label): (CDL-1264-A)
- Matrix / Runout (Side B label): (CDL-1264-B)
- Matrix / Runout (Side A runout, stamped, variant 1): CDL-1264-A 1S2 38〄 11-1
- Matrix / Runout (Side B runout, stamped, variant 1): (CDL-1225-BS) 1S 05 〄
- Matrix / Runout (Side A runout, stamped, variant 2): CDL-1264-A 1S2 3 〄 X - 6
- Matrix / Runout (Side B runout, stamped, variant 2): CDL-1264-B (CDL-1225-BS) 1S 12 〄
- Matrix / Runout (Side A runout stamped/etched, variant 3): CDL-1264-A 1S3 1 〄 1-1 .. :)
- Matrix / Runout (Side B runout, stamped, variant 3): CDL-1264-B (CDL-1225-BS) 1S 63 〄
- Matrix / Runout (Side A runout, stamped, variant 4): CDL-1264-A 1S2 5〄 x-6
- Matrix / Runout (Side B runout, stamped, variant 4): CDL-1264-B (CDL-1225-BS) 1S 23 〄
- Rights Society: JASRAC
- Other (Price): ¥2,500
Other Versions (5 of 190)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Eat To The Beat (LP, Album) | Chrysalis | CDL-1225, CDL 1225 | UK | 1979 | |||
|
Recently Edited
|
Eat To The Beat (LP, Album) | Chrysalis | 6307 661, CDL 1225 | 1979 | |||
| Eat To The Beat (LP, Album) | Chrysalis | CHE 1225, CHE-1225 | Canada | 1979 | |||
| Eat To The Beat (LP, Album, Stereo) | Chrysalis | 6307 661 | 1979 | ||||
| Eat To The Beat (LP, Album, Stereo) | Chrysalis | 51.1225, 511 225 | Benelux | 1979 |
Recommendations
Reviews
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Clear and decent sound with little to no surface noise. As is the case with many Japanese versions however, bass seems to be a bit on the lower side which is a shame as it could’ve been perfect had it been slightly higher.
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Very good pressing with really nice detail, but could have been even better if they hadn't decided to include an extra track on each side, (Heart Of Glass on side A and Sunday Girl on Side B) and use the space to add more "oomph"
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Have to crank this one a bit because the mastering is so quiet, but it sounds fine when you do. No Atomic poster with my copy. -
Great press, sounds brilliant. No surface noise, really dynamic and spacious, and the vocals are clear throughout. -
Release
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