Porcupine TreeFear Of A Blank Planet

Label:

Transmission Recordings – TRANSMISSION 25.2

Format:

2 x Vinyl , LP, Album, Reissue , 140g

Country:

Europe

Released:

Genre:

Rock

Style:

Progressive Metal

Tracklist

A1 Fear Of A Blank Planet 7:28
A2 My Ashes 5:09
B Anesthetize
Guitar [Solo]Alex Lifeson
17:52
C1 Sentimental 5:26
C2 Way Out Of Here
Performer [Soundscapes]Robert Fripp
7:38
D Sleep Together 7:26

Companies, etc.

  • Marketed ByBurning Shed
  • Phonographic Copyright ℗Snapper Music Ltd.
  • Copyright ©Snapper Music Ltd.
  • Published ByHands Off It's Mine Publishing
  • Recorded AtNo Man's Land (3)
  • Recorded AtBourne Place
  • Recorded AtNew Rising Studios
  • Recorded AtThe Artillery (2)
  • Recorded AtNightspace
  • Recorded AtMark Angelo Studios
  • Recorded AtRed Room Recorders
  • Recorded AtDGM World Central
  • Mastered AtClose To The Edge
  • Pressed ByOptimal Media GmbH – BG37263
  • Lacquer Cut AtOptimal Media GmbH

Credits

  • Arranged By [Strings], Orchestrated ByDave Stewart
  • Arranged By, Producer [Guitars] [Strings]SW*
  • Backing VocalsJohn Wesley (3)
  • Bass GuitarColin Edwin
  • Booking [Booking Agency]The Agency Group
  • Booking [Booking Agent Europe]Derek Kemp
  • Booking [Booking Agent USA]Steve Martin (18)
  • Contractor [Strings Session Fixer]Isobel Griffiths
  • DesignCarl Glover (4)
  • DrumsGavin Harrison
  • Engineer [Guitars]Mark Prator
  • Engineer [Strings]Steve Price (6)
  • Keyboards, SynthesizerRichard Barbieri
  • Lacquer Cut ByMK*
  • Leader [Strings]Gavyn Wright
  • Lyrics BySteven Wilson
  • ManagementAndy Leff
  • Music BySteven Wilson (tracks: A1 to C1, D)
  • Photography ByLasse Hoile
  • Producer [Guitars]John Wesley (3)
  • Producer, Arranged ByPorcupine Tree
  • StringsThe London Session Orchestra
  • Vocals, Guitar, Piano, Keyboards, Mixed By, Mastered BySteven Wilson

Notes

Written in London and Tel Aviv between Jan-July 2006
Recorded between Oct-Dec 2006
Recorded at No Man's Land, Bourne Place, New Rising, The Artillery, Nightspace, Mark Angelo, Red Room Recorders, DGM.
String arrangements recorded at Angel Studio.

Features guest appearances from Alex Lifeson (on the 17 minute Anesthetize) and Robert Fripp (on Way Out Of Here).

Packaged in a gatefold sleeve.

Runouts are etched.

Barcode and Other Identifiers

  • Barcode: 802644825212
  • Barcode (Text): 0 802644 82521 2
  • Label Code: LC 01757
  • Matrix / Runout (Side A runout variant 1): BG37263-01 A1 MK
  • Matrix / Runout (Side B runout variant 1): BG37263-01 B1 MK
  • Matrix / Runout (Side C runout): BG37263-02 C2 MK
  • Matrix / Runout (Side D runout): BG37263-02 D1 MK

Other Versions (5 of 55)

View All
Title (Format) Label Cat# Country Year
Fear Of A Blank Planet (CD, Album) Roadrunner Records RR 8011-2 Europe 2007
Fear Of A Blank Planet (CD, , DVD, DVD-Audio, DVD-Video, Multichannel, NTSC, multichannel, All Media, Album, Deluxe Edition, Limited Edition) Roadrunner Records RR 8011-5 Europe 2007
Fear Of A Blank Planet (CD, Album) Atlantic 2-115900 US 2007
Recently Edited
Fear Of A Blank Planet (2×LP, Album, Limited Edition, Numbered, Blue/Black Marbled) Tonefloat TF 40 Netherlands 2007
Recently Edited
Fear Of A Blank Planet (2×LP, Album, 180 Gram) Tonefloat tf40 Netherlands 2007

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Reviews

  • trople's avatar
    trople
    From the first bars of the first track, it's immediately obvious this is an absolute top quality mastering & pressing. Every note of every instrument and vocals is crystal clear, pretty much no noticeable surface noise, dynamics are sublime...it's an experience to listen to this masterpiece in this way.
    • jdickson585's avatar
      jdickson585
      Edited 5 months ago
      Lovely pressing. And yet, in my listening experience, the CD sounds better, with slightly more punch and a touch more clarity/detail.
      • Daniel2246's avatar
        Daniel2246
        Edited one year ago
        This is one of the best sounding records i have heard actually. Great separation and clarity. Crisp and dynamic. It sound good for me both on speakers and headphones. I already knew the album was good but was suprised by the sound quality.
        • Vivalafica's avatar
          Vivalafica
          Yet again an unbelievable Transmission pressing! Mine is completely flat while spinning, loud and clear sound quality with zero surface noise, a joyful listen from start to finish.
          • SVXDan83's avatar
            SVXDan83
            My pressing was flat, centered and QUIET! The mastering on this release is very dynamic with a low overall volume. Fine by me, it really lets the drama of the music ebb and flow. But I’ve generally found it is harder to combat surface noise when the overall mastering volume is low. This is NOT a problem on this record! Save for a few pops and crackles, it did not matter that I had my system cranked! Quite an accomplishment for a standard 140g pressing and it shows that this type of production CAN be accomplished without requiring 45RPM / 220g records at a reasonable price. Do yourself a favor and don’t sleep on buying this pressing while it’s available for normal prices!
            • ollie.'s avatar
              ollie.
              Fantastic sound for an amazing album! Very quiet and really good dynamics!
              • art_of_vinyl's avatar
                art_of_vinyl
                It uses the same master as the 2016/17 Kscope pressings, which was the best version of this album.

                Stampers looks identical on this, matches the Kscope pressing, it needed a quality reissue Kscope was increasing in value.
                • velvetundergrad's avatar
                  velvetundergrad
                  Amazing pressing. Super quiet. Great dynamics. Proper inner sleeves. Highly recommend this.
                  • llednar95's avatar
                    llednar95
                    Best sounding version I've heard! I definitely recommend this pressing!
                    • dmn49's avatar
                      dmn49
                      Great pressing. Quiet and flat, but there are few places with distortion/surface noise on track one. Under-baked/over-backed maybe? Also poor QC. Scratches, scratches. Had to replace it. I agree with fellow reviewer tomwebb101. They managed to manufacture perfect thin records few decades ago. It is not a rocket science. How do they manage to mess up 180g pressing now?

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