Bill Evans – Behind The Dikes: The 1969 Netherlands Recordings
Label: |
Metropole Orkest – 5990539 |
---|---|
Format: |
3 x
Vinyl
, LP, Album, Record Store Day, Deluxe Edition, Limited Edition, Numbered, Remastered, Stereo
, 180g
|
Country: |
Worldwide |
Released: |
|
Genre: |
Jazz |
Style: |
Modal |
Tracklist
A1 | Announcement By Michiel De Ruyter / You're Gonna Hear From Me | 3:25 | |
A2 | Emily | 4:51 | |
A3 | Stella By Starlight | 5:39 | |
A4 | Turn Out The Stars | 5:03 | |
B1 | Waltz For Debby | 6:12 | |
B2 | 'Round Midnight | 6:31 | |
B3 | I Let A Song Go Out Of My Heart | 3:33 | |
C1 | Alfie | 4:57 | |
C2 | Beautiful Love | 6:11 | |
C3 | My Funny Valentine | 6:27 | |
D1 | Love Theme From Spartacus | 4:35 | |
D2 | One For Helen | 4:41 | |
D3 | Quiet Now | 5:35 | |
D4 | Someday My Prince Will Come | 6:02 | |
E1 | Very Early | 5:13 | |
E2 | A Sleepin' Bee | 4:57 | |
E3 | Turn Out The Stars #2 | 5:06 | |
E4 | Autumn Leaves | 4:22 | |
F1 | Quiet Now #2 | 5:34 | |
F2 | Nardis | 6:02 | |
F3 | Granados | 4:40 | |
F4 | Pavane | 4:46 |
Companies, etc.
- Phonographic Copyright ℗ – Elemental Music
- Copyright © – Elemental Music
- Pressed By – Standard Vinyl
- Recorded At – KRO-Studio, Hilversum
- Recorded At – RAI Congrescentrum
- Mastered At – Bernie Grundman Mastering
- Lacquer Cut At – Bernie Grundman Mastering
Credits
- Arranged By [Uncredited] – Claus Ogerman (tracks: F3, F4)
- Art Direction – Burton Yount
- Bass, Interviewee – Eddie Gomez
- Co-producer – Michiel De Ruyter (tracks: E1 to F4)
- Conductor [Directed By] – Dolf van der Linden (tracks: F3, F4)
- Cover [Front Cover Photo], Photography By [Front Cover Photo] – Nederlands Instituut Voor Beeld En Geluid
- Design – John Sellards
- Drums, Interviewee – Marty Morell
- Editor [Album Package] – John Koenig
- Ensemble – The Metropole Orkest* (tracks: F3, F4)
- Executive-Producer – Jordi Soley
- Lacquer Cut By – BG*
- Liner Notes – Jan Huydts
- Liner Notes [English Translation] – Martin Cleaver
- Mastered By [LP Mastering By] – Bernie Grundman
- Photography By [Booklet] – Nico van der Stam
- Piano – Bill Evans
- Producer [Associate Producer] – Zak Shelby-Szyszko
- Producer [Original Recordings] – Joop De Roo
- Producer, Liner Notes, Interviewer, Research [Photo Research] – Zev Feldman
- Producer, Research [Photo Research] – Frank Jochemsen*
Notes
Record Store Day July 17 2021 release
Limited edition 1st pressing of 5,950. Hand Numbered.
Non-sealed packaging.
The track listings on the jacket (back and inside) has some of the side breaks in the wrong places: "Alfie" actually begins side C and "Love Theme From Spartacus" opens side D. The disc labels have the correct titles.
Made in Canada.
Limited edition 1st pressing of 5,950. Hand Numbered.
Non-sealed packaging.
The track listings on the jacket (back and inside) has some of the side breaks in the wrong places: "Alfie" actually begins side C and "Love Theme From Spartacus" opens side D. The disc labels have the correct titles.
Made in Canada.
Barcode and Other Identifiers
- Barcode (Scanned, EAN-13): 8435395502990
- Barcode (Text): 8 435395 502990
- Matrix / Runout (Side A runout, etched ): EM5990539-A BG
- Matrix / Runout (Side B runout, etched ): EM5990539-B BG
- Matrix / Runout (Side C runout, etched ): EM5990539-C BG
- Matrix / Runout (Side D runout, etched ): EM5990539-D BG
- Matrix / Runout (Side E runout, etched ): EM5990539-E BG
- Matrix / Runout (Side F runout, etched ): EM5990539-F BG
Other Versions (4)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Behind The Dikes: The 1969 Netherlands Recordings (2×CD, Album) | Nederlands Jazz Archief | 5990441 | US | 2021 | |||
Recently Edited
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Behind The Dikes: The 1969 Netherlands Recordings (3×LP, Record Store Day, Limited Edition, Numbered, 180g) | Elemental Music | KKJ-10004 | Japan | 2021 | ||
New Submission
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Behind The Dikes: The 1969 Netherlands Recordings (2×CD, Album) | Nederlands Jazz Archief | KKJ 156, 5990441 | Japan | 2021 | ||
New Submission
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Behind The Dikes (The 1969 Netherlands Recordings) (24×File, FLAC, Album, 16 Bit / 44.1 kHz) | Elemental Music | none | Spain | 2021 |
Recommendations
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2022 WorldwideLP, Album, Record Store Day, Deluxe Edition, Limited Edition, Numbered, Mono
-
2022 WorldwideLP, Album, Record Store Day, Deluxe Edition, Limited Edition, Numbered, Remastered
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2020 USA, Canada & EuropeLP, Album, Record Store Day, Deluxe Edition, Limited Edition, Numbered, Mono
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2021 WorldwideLP, Album, Reissue, Stereo
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2020 USLP, Album, Record Store Day, Deluxe Edition, Limited Edition, Numbered, Reissue, Remastered, Stereo
Reviews
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Edited 6 months agoIn June '21 I ed on this at RSD because I "had enough Bill Evans" already. The next year, I found a new copy but the price had doubled. Then while streaming, I happened to hear Emily from this recording and realized I needed this album. Finally got a copy and paid a for it.
You know the drill, this is BET with Eddie and Marty, yes you've heard Waltz for Debby & Autumn Leaves on every live recording from this era. That's okay, every time they bring the magic. Highlights are '"Round Midnight" with the killer intro, and a more traditional swinging version of "I Let A Song". I know W4D was immortalized by Scott LaFaro, but Gomez' bass solo on this piece is technical and energetic.
[#2088] The packaging is beautiful with crisp graphics, pristine beautifully pressed vinyl. Two of my discs have a slight dish warp, and after cleaning there's some light crackle here and there.
Audio is good. A few points off for some comb phasing effect happening on the piano, possibly from the miking technique or some out of tune strings. This is evident throughout side A. Otherwise, bass is present and the drums are mixed higher than some of the other Marty Morell BET recordings I have.
This one's a winner IF you don't have to break the bank.
4.5 stars. -
Digital source or analogue for the vinyl? “Mastered by Bernie Grundman”. Cool, but no “from the original analogue tapes”. No worries as it sounds great, but at these prices one should know exactly what you are buying. Enjoy.
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I also have a non-numbered copy. Everything other (booklet, stickers and matrix are the same). I bought it from the seller that said he received it as a promo. Also I saw in sale two another copies without number: one with word "promo" wrote by hand and one more with sticker promo on the field for the number. So, I'm thinkg, there were a little bit more copies than 5950.
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No number on mine, 1st and 3rd lps are perfect, lp 2 side 2 has non fill on 2nd track but apart from that is fine. Great performances, I had lp 3 as a Euro grey area lp this one : Bill Evans - In Concert - Autumn Leaves
https://discogs.cinepelis.org/release/13951113-Bill-Evans-In-Concert-Autumn-Leaves
And this smokes it of course. -
Edited 2 years agoBased on the music and playing alone, this album should be considered as essential as any of BE's top Riverside albums. The good news continues with the recording and mastering, in one word, superlative; it rivals and in some instances exceeds the sound quality of my AP Riverside boxset.
The weak link in this production is the pressing; it has a relatively moderate to high noise floor which is noticeable in quiet ages, we are certainly not dealing with audiophile vinyl formulation, again noise issue is only present in quiet ages. Even with the less than stellar pressing quality, this album is a must have if you are fan of BE or quite frankly music in general. -
I must have received the worst pressing of the entire RSD batch. I got number 559 which you would think would be really good but all three LP’s are a disaster. LP number 2 is terribly warped. All three have bad distortion in different areas especially on the piano. Side F has what sounds like tape warble. It’s only good in that it is a great set of sessions by fabulous musicians. I might as well be listening to one of the bootlegs.
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When I received it I discovered (too late) that disc 1 (sides A/B) is missing; I have disc 2 (sides C/D) and two copies of disc 3 (sides E/F).
Anyone has two copies of disc 1 and/or is missing disc 3 and want to trade? -
Happy with my pressing. Lovely energy at these concerts and great performances and recording quality. Feels like you’re in the room.
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