Mona MonetKeep It Coming

Label:

BPM King Street Sounds – KSS 1124

Format:

Vinyl , 12", 33 ⅓ RPM

Country:

US

Released:

Genre:

Electronic

Style:

House

Tracklist

A Keep It Coming (CF's Queen St. Orchestra Mix)
B Keep It Coming (CF's Keep On Moaning Mix)

Companies, etc.

  • Phonographic Copyright ℗BPM King Street Sounds
  • Copyright ©BPM King Street Sounds
  • Recorded AtInternational, NYC
  • Mixed AtInternational, NYC
  • Lacquer Cut AtMaster Cutting Room
  • Manufactured ByBPM King Street Sounds
  • Manufactured ByNite Grooves
  • Distributed ByBPM King Street Sounds
  • Distributed ByNite Grooves
  • Published ByEvol Free Music
  • Published ByKing Grooves

Credits

  • Executive-Producer, A&RHisa Ishioka
  • Lacquer Cut ByRCE*
  • ManagementTim Scott (14)
  • Programmed By, Recorded By, Mixed ByCevin Fisher
  • VocalsRamona "Monet" Keller*
  • Written-By, ProducerCevin Fisher

Notes

Special thanks to Danny Tenaglia.

Barcode and Other Identifiers

  • Barcode: 7 88557 11241 3
  • Matrix / Runout (Side A, etched): KSS-1124 A MCR-RCE
  • Matrix / Runout (Side B, etched): KSS-1124 B
  • Rights Society: ASCAP

Other Versions (5 of 9)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Keep It Coming (Part II) (12", 33 ⅓ RPM) BPM King Street Sounds KSS 1126 US 2001
Recently Edited
Keep It Coming (Part II) (12", 33 ⅓ RPM, Promo) BPM King Street Sounds KSS 1126 US 2001
New Submission
Keep It Coming (CDr, Single, Promo) Nite Grooves none US 2001
New Submission
Keep It Coming (Part II) (12", 33 ⅓ RPM, Promo, Yellow) BPM King Street Sounds KSS 1124 US 2001
New Submission
Keep It Coming (12", 33 ⅓ RPM, White Label) BPM King Street Sounds KSS 1124 US 2001

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Reviews

  • lewisdene's avatar
    lewisdene
    Nothing for months on end then two Cevin Fisher productions in as many weeks. As good as his currently UK release, ‘Loving You When It Comes To)’ is, I suspect this import release will attract more of the headlines. Built around the current in vogue minimal house template that has become the signature sound of remixers like Danny Tenaglia (who incidentally is credited as the songs inspiration), Deep Dish and Tom Stephan, this is no exception to the rule of less-is-most-definitely-more. Vocalist Ramona ‘Monét’ Keller shrieks in almost monotone fashion the title line in the trippy Queen Street Orchestra Mix, but the real killer is the self-explanatory Keep On Moaning Mix – an even sparser gauzy arrangement that is the perfect synergy of stark beats, tribal aggression and orgasms!

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