Prodigy* – The Fat Of The Land
Label: |
XL Recordings – XLLP 121 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Breakbeat |
Tracklist
| A1 | Smack My Bitch Up | 5:43 | |
| A2 | Breathe | 5:35 | |
| B1 | Diesel Power | 4:18 | |
| B2 | Funky Shit | 5:16 | |
| C1 | Serial Thrilla | 5:11 | |
| C2 | Mindfields | 5:40 | |
| C3 | Narayan | 7:07 | |
| D1 | Firestarter | 6:43 | |
| D2 | Climbatize | 6:38 | |
| D3 | Fuel My Fire | 4:19 |
Companies, etc.
- Phonographic Copyright ℗ – XL Recordings Ltd.
- Copyright © – XL Recordings Ltd.
- Published By – EMI Virgin Music Ltd.
- Published By – Next Plateau Music Inc.
- Published By – Beats G Music
- Published By – EMI Music Ltd.
- Published By – MCA Music
- Published By – Momentum Music Ltd.
- Published By – PolyGram Music
- Published By – Chrysalis Music Publishing
- Published By – Hit & Run Music (Publishing) Ltd.
- Published By – Perfect Songs
- Published By – Zomba Music
- Published By – Drop Trou Tunes
- Published By – Zomba Songs Inc.
- Published By – Shock Music Publishing (Australia) Pty. Ltd.
- Published By – Zomba Music Publishers Ltd.
- Produced At – Earthbound Studios
- Mixed At – Earthbound Studios
- Recorded At – Strongroom
Credits
- Art Direction – Liam Howlett
- Guitar [Live Gitarrz] – Gizz Butt*
- Illustration [Band] – Jake*
- Lacquer Cut By – MK*
- Mastered By – Mike Marsh
- Photography [Ant] – Terry Whittaker
- Photography [Band, Train And Equipment], Photography [Live Shots] – Pat Pope
- Photography [Front Cover] – Konrad Wothe
- Photography [Inner Bag] – Lou Smith
- Photography [Live Shots] – Alex Scaglia, Christian Ammann
- Photography [Truck And Background], Design, Art Direction – Alex Jenkins
- Producer, Mixed By – L. Howlett*
- Recorded By [Vocals Recorded With] – Neil McLellan (tracks: A1, A2, C3, D1)
- Written-By – T. Randolph* (tracks: A1)
Notes
This version has "PRODIGY WEBSITE: www.theprodigy.com" on the back below the barcode.
Also, sleeves printed from original source, not rescanned as 2018, 2020 reissues.
Single, not gatefold cover. Includes an inner picture sleeve for each LP.
Track durations of C3 and D1 are different to the CD version, because the last 2 minutes of "Narayan" on the CD are the first 2 minutes of "Firestarter" on the LP version.
Side A Track 1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Breakdown" used courtesy of Next Plateau Records.
Side B Track 2 excerpts from "Root Down" used under license from Capitol Records, a division of Capitol Records Inc. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under licence from Universal Music Special Markets Inc. Published by EMI Gold Horizon Music.
Side C Track 1 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
Side D Track 1 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
Side D Track 2 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music istered by International Music Network.
The 'A' Symbol is used by kind permission of Seddon Atkinson Vehicles Ltd.
Also, sleeves printed from original source, not rescanned as 2018, 2020 reissues.
Single, not gatefold cover. Includes an inner picture sleeve for each LP.
Track durations of C3 and D1 are different to the CD version, because the last 2 minutes of "Narayan" on the CD are the first 2 minutes of "Firestarter" on the LP version.
Side A Track 1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Breakdown" used courtesy of Next Plateau Records.
Side B Track 2 excerpts from "Root Down" used under license from Capitol Records, a division of Capitol Records Inc. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under licence from Universal Music Special Markets Inc. Published by EMI Gold Horizon Music.
Side C Track 1 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
Side D Track 1 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
Side D Track 2 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music istered by International Music Network.
The 'A' Symbol is used by kind permission of Seddon Atkinson Vehicles Ltd.
Barcode and Other Identifiers
- Barcode (Text): 6 34904 01211 3
- Barcode (Scanned): 634904012113
- Matrix / Runout (Side A etch, stamp): XLLP 121 VƐ B666911-01 A1 MK
- Matrix / Runout (Side B etch, stamp): XLLP 121 B666911-01 B2 MK TIF
- Matrix / Runout (Side C etch, stamp): XLLP 121 VV+ B666911-02 C1 MK
- Matrix / Runout (Side D etch, stamp): XLLP 121 +ΛΛ B666911-02 D1 MK
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 341)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Fat Of The Land (CD, Album, Nimbus Pressing) | XL Recordings | XLCD 121 | UK | 1997 | |||
| The Fat Of The Land (CD, Album) | XL Recordings | XL/INT 4 84465 2, 7243 4 84465 2 7 | 1997 | ||||
| The Fat Of The Land (2×LP, Album) | XL Recordings | XLLP 121 | UK | 1997 | |||
| The Fat Of The Land (Cassette, Album) | XL Recordings | XLMC 121 | UK | 1997 | |||
| The Fat Of The Land (CD, Album) | Avex Trax | AVTCD-95066 | Hong Kong | 1997 |
Recommendations
Reviews
-
Edited 12 days agoThis is the best sounding release of this album I've happened to hear this far, impressed.
Although I'm not a fan of having just 2 songs per side and I'm not a fan of splitting tracks just to fit the intent.
Awesome packaging (except the cover art) and again - superb sound! -
Sound is great, surface noise is almost no present… BUT:
- artwork is in very poor quality
- how they could put track Naranyan (which is connected with Firestarter on CD and streaming) at the end of Side C? This is a very big deal to me as it creates a break between tracks that usually doesn’t have it. -
I’m not sure which version i have - but the quality of this is amazing. It’s interesting which parts of the mix that this master highlights, a difference to the digital version is noticeable. My only critique is The artwork could be slightly clearer in quality, but to me that’s a minor flaw.
Setup: Technics SL-1400 MK2, AT95SH cartridge, Sony TAFB940R, Klipsch Speakers -
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