Eric Clapton – On Tour
Label: |
ATCO Records – SD 33-326 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Tracklist
A1 | Things Get Better | 4:20 | |
Poor Elijah - Tribute To Johnson (Medley) | (5:00) | ||
|
Poor Elijah | ||
|
Tribute | ||
A3 | Only You Know And I Know | 4:10 | |
A4 | I Don't Want To Discuss It | 4:55 | |
B1 | That's What My Man Is For | 4:30 | |
B2 | Where There's A Will, There's A Way | 4:57 | |
B3 | Coming Home | 5:30 | |
Little Richard Medley | (5:45) | ||
|
Long Tall Sally | ||
|
Jenny Jenny | ||
|
The Girl Can't Help It | ||
|
Tutti-Frutti |
Companies, etc.
- Manufactured By – Atlantic Recording Corporation
- Pressed By – Monarch Record Mfg. Co. – △14630
- Mastered At – Longwear Plating
- Mastered At – Atlantic Studios
- Copyright © – Atlantic Recording Corporation
- Published By – East/Memphis Music
- Published By – Web IV Music
- Published By – Metric Music
- Published By – Irving Music, Inc.
- Published By – Nelchell Music
- Published By – DelBon Music
- Published By – Cotillion Music
- Published By – Throat Music
- Published By – Venice Music
- Published By – 20th Century Music
Credits
- Arranged By [Horn Arrangements By] – Jim Price
- Bass – Carl Radle
- Congas [Conga], Bongos [Bongo Drums] – Tex Johnson (3)
- Design, Photography By – Tom Wilkes (2)
- Design, Photography By [For] – Camouflage Productions
- Drums – Jim Gordon
- Engineer [Mix Down Engineer] – Bill Halverson
- Engineer [Recording Engineers] – Glyn Johns
- Guitar – Dave Mason
- Lead Guitar – Eric Clapton
- Mastered By – AB*
- Organ, Vocals – B. Whitlock*
- Other [Special Thanks To] – Ahmet Ertegun, Mysterioso
- Producer – Jimmy Miller
- Rhythm Guitar, Vocals – Delaney Bramlett
- Saxophone – Bobby Keys
- Trumpet, Trombone – Jim Price
- Vocals – Rita Coolidge
Notes
Monarch Record Mfg. Co. pressing indicated by "MO" suffix to label matrix and the Monarch MR in circle logo stamped in run-outs.
Recorded live in England.
© 1970 Atlantic Recording Corporation
Printed in U.S.A.
[Publisher]
A1, East / Memphis, Web IV BMI
A2, Metric BMI
A3, Irving BMI
A4, Nelchell BMI
B1, Resco BMI
B2, DelBon / Cotillion BMI
B3, DelBon / Cotillion, Throat Music BMI
B4a, Venice BMI
B4b, Venice BMI
B4c, 20th Century Music BMI
B4d, Venice BMI
Recorded live in England.
© 1970 Atlantic Recording Corporation
Printed in U.S.A.
[Publisher]
A1, East / Memphis, Web IV BMI
A2, Metric BMI
A3, Irving BMI
A4, Nelchell BMI
B1, Resco BMI
B2, DelBon / Cotillion BMI
B3, DelBon / Cotillion, Throat Music BMI
B4a, Venice BMI
B4b, Venice BMI
B4c, 20th Century Music BMI
B4d, Venice BMI
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Label side A): ST-C-701831-MO
- Matrix / Runout (Label side B): ST-C-701832-MO
- Pressing Plant ID (On label matrix): MO
- Matrix / Runout (Side A runout etched, (MR) stamped, variant 1): ST-C-701831-BB MO T (MR) (MR) LW AT △14630 AB W
- Matrix / Runout (Side B runout etched, (MR) stamped, variant 1): ST-C-701832-BB MO (MR) T LW AT △14630-X AB W
- Matrix / Runout (Side A runout etched, (MR) stamped, variant 2): ST-C-701831-BB MO T (MR) (MR) LW AT X̲I̲ 14630 AB W
- Matrix / Runout (Side B runout etched, (MR) stamped, variant 2): ST-C-701832-BB MO (MR) LW AT v X̲I̲ 14630-X AB W
Other Versions (5 of 79)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
On Tour (LP, Album, Stereo) | Atlantic | 2400013 | UK | 1970 | |||
New Submission
|
On Tour (LP, Album) | ATCO Records | SD 33-326, SD-33-326 | Canada | 1970 | ||
New Submission
|
On Tour (LP, Album) | ATCO Records | SD 33-326 | Italy | 1970 | ||
New Submission
|
On Tour (Cassette, Album, Slipcase) | ATCO Records | M 5326 | US | 1970 | ||
New Submission
|
On Tour (LP, Album, Stereo) | ATCO Records | 503 047 | 1970 |
Recommendations
Reviews
-
-
Regarding the UK Atlantic plum (red/purple) label original : the pressing I have (A1 , B1 Matrix's) seems to have some sort of sound/fidelity depreciation in the left hand channel , shortly after the intro to 'Only You Know And I know' ..i.e. the sound seems to become slightly muffled .This seems to correct shortly before the end of the following track 'I Don't Want To Discuss It' , when the sound suddenly bounces back a bit more clearer... Listening under headphones will bear this out. The only other pressing I heard of this record was a later USA copy , and I did not notice any flaw in the left hand channel during those two tracks. Is/did the UK original pressings suffer from faulty mastering , or have I got a roguely mastered early UK pressing ?
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
83 copies from €2.63