Run-DMC – Raising Hell
Label: |
Sony Music Commercial Music Group – 19439725101 |
|---|---|
Series: |
Gain 2™ Ultra Analog 45RPM 180g Series |
Format: |
2 x
Vinyl
, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo
, 180g, Gatefold
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Tracklist
| A1 | Peter Piper | 3:22 | |
| A2 | It's Tricky | 3:02 | |
| B1 | My Adidas | 2:47 | |
| B2 | Walk This Way | 5:10 | |
| B3 | Is It Live | 3:06 | |
| B4 | Perfection | 2:51 | |
| C1 | Hit It Run | 3:11 | |
| C2 | Raising Hell | 5:31 | |
| D1 | You Be Illin' | 3:26 | |
| D2 | Dumb Girl | 3:32 | |
| D3 | Son Of Byford | 0:27 | |
| D4 | Proud To Be Black | 3:15 |
Companies, etc.
- Manufactured For – Mobile Fidelity Sound Lab, Inc.
- Manufactured By – Sony Music Entertainment
- Pressed By – Record Technology Incorporated – 36011
- Mastered At – Mobile Fidelity Sound Lab
- Lacquer Cut At – Mobile Fidelity Sound Lab
- Phonographic Copyright ℗ – Arista Records LLC
- Copyright © – Arista Records LLC
- Produced For – Rush Productions
- Recorded At – Chung King House Of Metal
- Recorded At – Shakedown Sound Studios
- Recorded At – Soundtrack Studios
- Recorded At – Magic Ventures
Credits
- Art Direction, Design – Janet Perr
- Co-producer – Joseph Simmons
- Engineer [Chung King] – Steve Ett
- Instruments [All Except Keyboards And Percussion] – Run-DMC
- Keyboards, Percussion – Jason Mizell
- Lacquer Cut By – KW*
- Mastered By – Krieg Wunderlich
- Mastered By [Assisted By] – Shawn R. Britton
- Performer [Run-DMC Is] – Joseph Simmons
- Photography By – Caroline Greyshock
- Photography By [Photos, Inner Gatefold] – Janette Beckman
- Producer – Russell Simmons
Notes
1/2" / 30 IPS analog master to DSD 256
Limited Edition of 3,000. 180g 45rpm dual-pocket gatefold.
© 1986, 2020 Arista Records, LLC. ℗ 1986 Arista Records, LLC. Manufactured for Mobile Fidelity Sound Lab®, Inc. by Sony Music Entertainment. Made in the U.S.A.
Mastered by Krieg Wunderlich, assisted by Shawn R. Britton, at Mobile Fidelity Sound Lab ®, Sebastopol, CA on the GAIN 2 Ultra Analog System. Specially Plated and Pressed on 180g High-Definition Vinyl. Production by Mobile Fidelity Sound Lab ®
Limited Edition of 3,000. 180g 45rpm dual-pocket gatefold.
© 1986, 2020 Arista Records, LLC. ℗ 1986 Arista Records, LLC. Manufactured for Mobile Fidelity Sound Lab®, Inc. by Sony Music Entertainment. Made in the U.S.A.
Mastered by Krieg Wunderlich, assisted by Shawn R. Britton, at Mobile Fidelity Sound Lab ®, Sebastopol, CA on the GAIN 2 Ultra Analog System. Specially Plated and Pressed on 180g High-Definition Vinyl. Production by Mobile Fidelity Sound Lab ®
Barcode and Other Identifiers
- Barcode (Text): 8 21797 24941 6
- Barcode (Scanned): 821797249416
- Matrix / Runout: MFSL 2- 494 A r 2 KW@MoFi 36011.1(3)...
- Matrix / Runout: MFSL 2- 494 B r 2 KW@MoFi 36011.2(3)...
- Matrix / Runout: MFSL 2- 494 C r 2 KW@MoFi 36011.3(3)...
- Matrix / Runout: MFSL 2- 494 D r 2 KW@MoFi 36011.4(3)...
Other Versions (5 of 98)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Raising Hell (LP, Album, Purple Sleeve) | Profile Records | LONLP 21, 828 018-1 | UK | 1986 | ||
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Recently Edited
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Raising Hell (Cassette, Album) | Profile Records | PCT-1217 | US | 1986 | ||
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Recently Edited
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Raising Hell (LP, Album) | Profile Records | 828 018-1 | Brazil | 1986 | ||
| Raising Hell (LP, Album, Green / Blue Cover) | Profile Records | PRO-1217 | US | 1986 | |||
|
Recently Edited
|
Raising Hell (CD, Album, Repress) | Profile Records | PCD-1217 | US | 1986 |
Recommendations
-
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2022 USVinyl —LP, Album, Reissue, Remastered, Stereo -
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2016 USVinyl —LP, Compilation, Limited Edition, Numbered, Reissue, Remastered, Special Edition -
2015 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
-
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2018 USVinyl —LP, Album, Numbered, Reissue, Special Edition, Stereo -
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo
Reviews
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Is there going to be another version for the 2023 pressing? I can't find a barcode listing for mine yet.
Barcode #196588114519. -
God this pressing is amazing. 1st audiophile hip hop reissue and you can hear it immediately! -
Edited 3 years agoThis is the only version of the album that I have owned, but I have a 12 inch Walk This Way. In a head to head shoot out the 12 inch beat the Mofi cut as I was kind of expecting, but I was shocked to hear the difference. While I don't think the Mofi was necessarily lacking anything sonically, it sounded very flat. The 12 inch was rich and punchy gave the music plenty of room to breathe. I haven't compared other LP versions, and I trust that Mofi did a fine job, but I'm convinced that this can sound much better than it does. I can't help but wonder how the record might improve sonically if they moved My Adidas to side A instead of leaving a colossal amount of dead wax. I know that comparing a 12inch to an LP isn't exactly fair.
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The Arista 180 gram version sounds just as good if not better. More bottom end than the MOFI version to be honest. Playing off a Rega P3, Elex-R and Wharfedale Evo 4.3.
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What was the original MSRP on this LP before it sold out? I am interested to know how far the flippers are going to bend me over on this? FML
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Hip-Hop is a totally different genre. Hip-Hop has a gritty sound. Hip-Hop wasn't meant to be "audiophile" music....
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Not only is this the 1st MoFi hip-hop release, this is the very 1st Audiophile Hip-Hop album EVER! If you own this, you own a piece of audiophile history. Enjoy! -
Edited 4 years agoCompared to an original recently. The original sounded pretty decent all things considered, but there was definitely more life, presence, and separation on this MoFi cut. On songs with less busy production you won’t see as large of an improvement simply because there’s just not a lot going on. Sometimes a drum machine, a few samples and vocals are all that’s really present and in those cases there’s more air and a more lifelike, in the room quality to the vocals but nothing that really dramatically changes the listening experience. However on tracks like Walk This Way or Is It Live there’s a big difference. When things get busy on WTW it gets muddy on the OG and details are lost, I heard things I’d never heard before on this MoFi. And the texture on the drums for Is It Live brings a new energy To that track. Considering finding a truly clean original can be a little TRICKY...I’d say this is definitely worth grabbing for anyone who is a huge fan and wants a clean copy. It’s a definite improvement but frankly the material on these discs isn’t exactly audiophile you begin with and there’s not as notable a difference as there is with a lot of other MoFi titles. The bass is incredible though and definitely better imaging on this release too. Worth the scalper prices? Depends on how much the record means to you. It’s a great choice for them put out as the first audiophile hip hop release considering it’s what really brought the genre to the mainstream. Hope to see more -
Holy crap, wow wow wow, is all I can say in comparison to my CDN original pressing. It's night and day.
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