The BeatlesAbbey Road

Label:

UMe – B0030719-01

Format:

Vinyl , LP, Album, Reissue, Remastered, Stereo , Remixed, Anniversary Edition, 180 Gram

Country:

US

Released:

Genre:

Pop

Style:

Classic Rock

Tracklist

A1 Come Together
Written-ByLennon-McCartney
4:21
A2 Something
Written-ByHarrison*
3:03
A3 Maxwell's Silver Hammer
Written-ByLennon-McCartney
3:27
A4 Oh! Darling
Written-ByLennon-McCartney
3:27
A5 Octopus's Garden
Written-ByStarkey*
2:51
A6 I Want You (She's So Heavy)
Written-ByLennon-McCartney
7:47
B1 Here Comes The Sun
Written-ByHarrison*
3:05
B2 Because
Written-ByLennon-McCartney
2:46
B3 You Never Give Me Your Money
Written-ByLennon-McCartney
4:02
B4 Sun King
Written-ByLennon-McCartney
2:27
B5 Mean Mr. Mustard
Written-ByLennon-McCartney
1:06
B6 Polythene Pam
Written-ByLennon-McCartney
1:13
B7 She Came In Through The Bathroom Window
Written-ByLennon-McCartney
1:57
B8 Golden Slumbers
Written-ByLennon-McCartney
1:32
B9 Carry That Weight
Written-ByLennon-McCartney
1:37
B10 The End
Written-ByLennon-McCartney
2:20
B11 Her Majesty
Written-ByLennon-McCartney
0:23

Companies, etc.

  • Remastered AtAbbey Road Studios
  • Lacquer Cut AtAbbey Road Studios
  • Phonographic Copyright ℗Calderstone Productions Limited
  • Phonographic Copyright ℗Apple Corps Ltd.
  • Copyright ©Calderstone Productions Limited
  • Copyright ©Apple Corps Ltd.
  • Published ByHarrisongs Ltd.
  • Published BySony/ATV Music Publishing LLC
  • Published ByStartling Music
  • Published ByBMG Platinum
  • Manufactured ByCapitol Records, Inc.
  • Distributed ByCapitol Records, Inc.

Credits

  • Lacquer Cut ByMiles*
  • Mixed BySam OKell
  • ProducerGeorge Martin

Notes

US Release of 50th Anniversary Edition (Single LP) on 180 gram vinyl.

New mix by Giles Martin and Sam OKell.

In the runouts on side A, the final digit is etched under A 2.
A very similar pressing by Abbey Road.

Barcode and Other Identifiers

  • Barcode (Scanned): 602577915123
  • Barcode (Text): 6 02577 91512 3
  • Matrix / Runout (Side A label): B0030719-01 A
  • Matrix / Runout (Side B label): B0030719-01 B
  • Matrix / Runout (Side A runout, etched, variant 1): MILES. ABBEY ROAD 1/2 SPEED.ROOM 30 B 0030719 01 A 2 3
  • Matrix / Runout (Side B runout, etched, variant 1): MILES. ABBEY ROAD 1/2 SPEED.ROOM 30 B 0030719 01 B 2
  • Matrix / Runout (Side A runout, etched, variant 2): MILES. ABBEY ROAD 1/2 SPEED.ROOM 30 B 0030719 01 A 2 4
  • Matrix / Runout (Side B runout, etched, variant 2): MILES. ABBEY ROAD 1/2 SPEED.ROOM 30 B 0030719 01 B 2

Other Versions (5 of 1046)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Abbey Road (LP, Album) Apple Records 3C 062-04243, PMCQ 31520 Italy 1969
Recently Edited
Abbey Road (LP, Album, 2nd Release) Apple Records 1 C 062-04 243 1969
Recently Edited
Abbey Road (LP, Album, Repress) Apple Records 2 C 062-04243, 2C 062-04243 1969
Recently Edited
Abbey Road (LP, Album) Apple Records PCSM.7088, PCSM 7088 New Zealand 1969
Recently Edited
Abbey Road (LP, Album, Dark Green Apple Label) Apple Records PCS 7088 India 1969

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Reviews

  • JackdawTrading's avatar
    JackdawTrading
    Edited 16 days ago
    I am absolutely LOOSING MY MIND!!!

    I have never had a near mint copy play with so much noise before. This was sealed, I cleaned it and everything. It looks NM but the entire A and B side is plagued with noise.

    Triple checked that it wasn’t my stylus or system. WTF?!

    Going to get a replacement eventually hopefully that is actually normal.
    I have the MOFI pressing that does great, but I think this sounds better so I’m bummed. This will take a backseat until I can replace. So so stupid.
    • Mikeeagle11's avatar
      Mikeeagle11
      My pressing isn’t great. Lots of background noise on both sides. 👊🏻🤘🏻🤘🏻🤘🏻
      • Even_Salvesen's avatar
        Even_Salvesen
        Edited 4 months ago
        6/10 Dette er et klassisk album med noen hekt fantastiske låter og tekster, men det er ikke helt min stil og det går helt fint. Jeg synes plata er helt grei, men helt essensiell i min samling
        • old-school-0's avatar
          old-school-0
          Just dusted this off... I see some of everything in the reviews, from horrible to fantastic, for this press. My copy is a flat slab, next to zero surface noise, and No IGD. These factors alone with current presses of anything have sadly become a rarity it seems. So, as far as the pressing, for my copy, is damn good. The sound, IMO/on my system, is pretty damn good as well. The sound stage has air (is wide, deep, and has space), Lows are not obstructive/distorted (as some presses have had on Sun King), Highs are not tiring and sparkle in the right spots, and the separation/layering is good with nothing obscuring anything else. At least, this is how my modest set-up projects it and my ears decipher it...

          (Fluance RT-82 w/Acrylic Platter, ATN-XP cart/5 stylus. Nobsound T3 Phono Amp, Aiyima A07 Pro, Kicker KB6B, & 2x Polk PSW10 Subs...Simple Low Cost Setup)...Happy Listening
          • tomwebb101's avatar
            tomwebb101
            This QRP pressing is the quietest of all the Abbey Road remix pressings since release. The Optimal gets close. The others are miles off. What i prefer about the Optimal press is the jacket has a better contrast and colour reproduction. In this respect its just like the Sgt Peppers remix reissues... better jacket with the EU press, but slightly better pressing quality with the US QRP cut.
            • tplcanuck's avatar
              tplcanuck
              No complaints here. This sounds spectacular to my ears.and on my midfi vintage equipment.

              • Koizumicromo's avatar
                Koizumicromo
                I can't understand any complaints here. This is an outstanding pressing and is still quite cheap to buy. I have a decent vinyl collection and I'd rate this as one of my best sounding. So there you go.
                • riotstoejam's avatar
                  riotstoejam
                  Edited one month ago
                  The remix sounds pretty excellent to me! The sounds really fill up the room with this pressing imo. The only complaint for me is the semi prominent popping and clicking, reading other reviews, this seems fairly common and seems to be caused by "burrs." I have wet and dry cleaned this multiple times with underwhelming results, I have seen that playing the record multiple times helps break in the grooves and remove some of the pops and clicks. I have spun it fully about three times, and the pops are still pretty strong. Has anyone been able to "fix" this pressing, and if so, how many spins did it take to hear a prominent decrease in surface noise? It's not a huge deal, but as a curious collector, I was just wondering if there was any insight. Overall, I'm pretty satisfied with the press and have my fingers crossed that the issues work themselves out. (Surface noise is more prominent during the beginning of each song but somewhat evens out through the middle in my experience)🤞🤞🤞
                  • kostyatsykalo's avatar
                    kostyatsykalo
                    Hello everyone, can you please help me understand whether the US pressing sounds better than the EU pressing? I have the EU version, and it's quite quiet, but the bass is too loud! For those who have the US 2019 or 2021 (GZ media) pressings, could you describe their sound quality?
                    • Alx331277's avatar
                      Alx331277
                      Only slightly better than the awful Giles 2018 mix of the White Album. Here we get a bit more dyanmic flare and punch, but it's obscured by the digital f*ckery which makes a mockery of humanity. The only "good" thing about this are the different positioning of the guitars in aural space at the end, which actually does improve on the original in my view. Other than that, just get a clean mid-70s UK press and be done with it, or better yet the '76 Japan press.

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