Vampire Weekend – Father Of The Bride
Label: |
Columbia – 19075930141 |
|---|---|
Format: |
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Country: |
USA & Canada |
Released: |
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Genre: |
Rock |
Style: |
Tracklist
| A1 | Hold You Now | 2:33 | |
| A2 | Harmony Hall | 5:08 | |
| A3 | Bambina | 1:42 | |
| A4 | This Life | 4:28 | |
| A5 | Big Blue | 1:48 | |
| B1 | How Long? | 3:32 | |
| B2 | Unbearably White | 4:40 | |
| B3 | Rich Man | 2:29 | |
| B4 | Married In A Gold Rush | 3:42 | |
| C1 | My Mistake | 3:18 | |
| C2 | Sympathy | 3:46 | |
| C3 | Sunflower | 2:17 | |
| C4 | Flower Moon | 3:57 | |
| C5 | 2021 | 1:38 | |
| D1 | We Belong Together | 3:10 | |
| D2 | Stranger | 4:08 | |
| D3 | Spring Snow | 2:41 | |
| D4 | Jerusalem, New York, Berlin | 2:54 |
Companies, etc.
- Phonographic Copyright ℗ – Spring Snow, LLC
- Copyright © – Spring Snow, LLC
- Licensed To – Columbia Records
- Manufactured By – Columbia Records
- Distributed By – Columbia Records
- Record Company – Sony Music Entertainment
- Recorded At – Echo Park Back House Studios
- Recorded At – Vox Recording Studios
- Mixed At – Larrabee North
- Mastered At – Record Technology Incorporated – 32519
- Published By – BMG Rights Management (US) LLC
- Published By – H&R Lastrada Music
- Published By – Notting Hill Music
- Published By – Leon F. Sylvers III Publishing
- Published By – Medium Inc.
- Published By – Nichion Inc.
- Published By – Wixen Music Publishing, Inc.
Credits
- Art Direction – Nick Harwood
- Design [Cover Design] – Public-Library
- Executive-Producer – Ezra Koenig
- Illustration – Brendan Ratzlaff
- Legal – Nicky Stein
- Legal [At] – Clintons
- Management – Ian Montone
- Management [For] – Monotone, Inc.
- Management [With] – Matt Pollack
- Mastered By – Emily Lazar
- Mastered By [Assisted By] – Chris Allgood
Notes
Gatefold sleeve. Embossed cover.
Includes a poster with credits and lyrics.
© & ℗ 2019 Spring Snow, LLC. under exclusive license to Columbia Records, a Division of Sony Music Entertainment / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment 25 Madison Avenue, New York, NY 10010-8601
"Hold You Now" contains a sample of God Yu Tekkem Laef Blong Mi composed by Hans Zimmer, from the Twentieth Century Fox motion picture The Thin Red Line, courtesy of Twentieth Century Fox Film Corporation.
"How Long" contains elements from "And the Beat Goes On" (William Shelby/Stephen Shockley/Leon F. Sylvers III), published by BMG Rights Management (US) LLC/H&R Lastrada Music/Notting Hill Music o/b/o Leon F. Sylvers III Publishing.
Rich Man: Contains a sample of "Please Go Easy With Me" written and performed by S.E. Rogie, used courtesy of Rogee, Inc.
"2021" (contains a sample of "Talking" written by Haruomi Hosono) / Published by Medium Inc., istered by Nichion, Inc., sub published in the United States and Canada by Wixen Music Publishing, Inc.
Harmony Hall, This Life: Mixed [...] at Larrabee Studios (North Hollywood, CA)
We Belong Together: Recorded at The Stanley's House in Martha's Vineyard, Echo Park Backhouse Studios & Vox Studios
Includes a poster with credits and lyrics.
© & ℗ 2019 Spring Snow, LLC. under exclusive license to Columbia Records, a Division of Sony Music Entertainment / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment 25 Madison Avenue, New York, NY 10010-8601
"Hold You Now" contains a sample of God Yu Tekkem Laef Blong Mi composed by Hans Zimmer, from the Twentieth Century Fox motion picture The Thin Red Line, courtesy of Twentieth Century Fox Film Corporation.
"How Long" contains elements from "And the Beat Goes On" (William Shelby/Stephen Shockley/Leon F. Sylvers III), published by BMG Rights Management (US) LLC/H&R Lastrada Music/Notting Hill Music o/b/o Leon F. Sylvers III Publishing.
Rich Man: Contains a sample of "Please Go Easy With Me" written and performed by S.E. Rogie, used courtesy of Rogee, Inc.
"2021" (contains a sample of "Talking" written by Haruomi Hosono) / Published by Medium Inc., istered by Nichion, Inc., sub published in the United States and Canada by Wixen Music Publishing, Inc.
Harmony Hall, This Life: Mixed [...] at Larrabee Studios (North Hollywood, CA)
We Belong Together: Recorded at The Stanley's House in Martha's Vineyard, Echo Park Backhouse Studios & Vox Studios
Barcode and Other Identifiers
- Barcode: 1 90759 30141 8
- Matrix / Runout (A-side runout, etched): AL19075930141 32519.1(3)...
- Matrix / Runout (B-side runout, etched): BL19075930141 32519.2(3)...
- Matrix / Runout (C-side runout, etched): CL19075930141 32519.3(3)...
- Matrix / Runout (D-side runout, etched): DL19075930141 32519.4(3)...
- Other (On labels): C-222512
Other Versions (5 of 21)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Father Of The Bride (Cassette, Album, Green) | Columbia | 19075946164 | US | 2019 | ||
| Father Of The Bride (CDr, Album) | Columbia | 19075930132 | US | 2019 | |||
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New Submission
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Father Of The Bride (2×LP, Album, Limited Edition, Translucent Blue & Green Split) | Columbia | 19075930141 | USA & Canada | 2019 | ||
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New Submission
|
Father Of The Bride (2×LP, Album, Limited Edition, Orange Translucent) | Columbia | 19075943711, C-222512 | USA, Canada & Europe | 2019 | ||
|
Recently Edited
|
Father Of The Bride (CD, Album) | Sony Music | 19075947362 | Europe | 2019 |
Recommendations
Reviews
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Edited 10 months agoThis is a good pressing. They did a good job on the mastering on this one. Great packaging too and comes with a nice huge poster as well. No issues to report. -
Just got this and spinning it now. Sounds fantastic, as far as the production. The first track is not what I was expecting, and now into the second, it's a bit more like the VW sound I know. Love it. The sound... wow, it's just popping off my turntable! -
Edited 3 years agoThe twin brother to Haim's "Something to tell you", if you ask me. Both adventurous, joyous and a joy for your ears.
Went from CD to vinyl record because this album deserves to be listened to properly, dynamics intact. Try it, you'll love it! -
Definitive 2019.
From the first chords, to end, this album speaks to so much in the decade(s) long expansion of Vamp's Montauk sound. It's one thing to speak about the writing. A completely other conversation to highlight the packaging, marketing, and disposal of the record. I don't want to talk about either - as if you can't see what they did it wouldn't make sense to a young, un-liberated mind. So, for the rest of us/you, just listen to the music and let it take you on a road-trip. The vinyl record itself is mastered perfectly. A few crackles, but that you're playing vinyl. It's subject to a lot of elements. I bought my record when I saw them perform in 2019, at Webster Hall in New York City. They played a bagel show or something. To tell you the truth, I snuck in at the start of the second set. Stuck around and bought their record. There were pizza boxes everywhere in the lobby. Girls running around with bright, ochre clothing. Boys with tote bags. It was a momentous feeling to be the company of such people. I am only telling you this in hopes that it might vouch for fact you're buying from a computer. It's okay, but don't pay exorbitant prices. Stream the album a few hundred times, buy the CD then think about the Vinyl Record. Okay, that's enough, I think. Peace ~ Nick. -
If you have a system that can handle really low frequencies and you are a fan of VW, you owe it to yourself to pick this one up.. was at a Barnes & Noble with all 4 albums and was allowing myself only one.. picked this one with no regrets. Love the Grateful Dead inspiration sprinkled throughout, you can tell how much fun they were having, the soundstage is wide and full, an instant sprawling classic -
Edited 3 months agoThe best album of 2019. Songwriting and progression are amazing. Deep and upbeat. One of the best records in my collection. Essential. -
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I've had two copies of this pressing. Both had white specks on side c that cause crackling sound. It cannot be washed. Mostly audible on My Mistake. Very annoying. Anyone else has this issue? -
Excellent album really. Somewhat strange that musicians are not credited. Really annoying that there is no code with it, I won't listen to it as much as I want, then... -
My side D has some distortion during We Belong Together. Other than that, a surprisingly nice pressing.
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