Tracklist
| A1 | Janie Jones | 2:05 | |
| A2 | Remote Control | 3:00 | |
| A3 | I'm So Bored With The U.S.A. | 2:24 | |
| A4 | White Riot | 1:55 | |
| A5 | Hate & War | 2:04 | |
| A6 | What's My Name | 1:40 | |
| A7 | Deny | 3:03 | |
| A8 | London's Burning | 2:10 | |
| B1 | Career Opportunities | 1:51 | |
| B2 | Cheat | 2:06 | |
| B3 | Protex Blue | 1:46 | |
| B4 | Police & Thieves | 6:00 | |
| B5 | 48 Hours | 1:34 | |
| B6 | Garage Land | 3:13 |
Companies, etc.
- Copyright © – CBS Records
- Phonographic Copyright ℗ – CBS Records
- Published By – Copyright Control
- Published By – Blue Mountain Music Ltd.
- Made By – Shorewood Packaging Co. Ltd.
Credits
- Bass Guitar – Paul Simonon
- Drums – Tory Crimes
- Graphic Design [Uncredited] – Roslav Szaybo
- Guitar, Vocals – Mick Jones
- Photography By [Back Cover] – Rocco Macauley
- Photography By [Front Cover] – Kate Simon
- Producer – Micky Foote*
- Written-By – Jones* (tracks: A1 to B3, B5, B6)
Notes
Different publishing credits compared to The Clash - The Clash (see labels). No "Nineden Ltd./Riva Mus. Ltd." crediting.
Issued on sunburst CBS labels in a matte picture sleeve with some parts in fluorescent colours.
This edition with an earlier label design has an arrow under 'STEREO' at 9 o'clock on the label.
Early pressings (first 10,000) included a red sticker on the inner sleeve which could be redeemed from the NME for a free single (Capital Radio E.P.). Matrix numbers for this release A-2/B-2.
A later label design with code LC 0149 and typeface changes released as The Clash.
Mastering and pressing credits derived from the etched matrix in the run-out area.
Matrix/Runout Variant:
Side B [Variant 5] has the # 2 at 3 o'clock and letter B stamped at 9 o'clock.
© 1977 CBS Records
℗ 1977 CBS Records
Issued on sunburst CBS labels in a matte picture sleeve with some parts in fluorescent colours.
This edition with an earlier label design has an arrow under 'STEREO' at 9 o'clock on the label.
Early pressings (first 10,000) included a red sticker on the inner sleeve which could be redeemed from the NME for a free single (Capital Radio E.P.). Matrix numbers for this release A-2/B-2.
A later label design with code LC 0149 and typeface changes released as The Clash.
Mastering and pressing credits derived from the etched matrix in the run-out area.
Matrix/Runout Variant:
Side B [Variant 5] has the # 2 at 3 o'clock and letter B stamped at 9 o'clock.
© 1977 CBS Records
℗ 1977 CBS Records
Barcode and Other Identifiers
- Matrix / Runout (Label side A): S CBS 82000A°
- Matrix / Runout (Label side B): S CBS 82000B°
- Matrix / Runout (Run-out side A, variant 1): CBS S 82000 A 2.
- Matrix / Runout (Run-out side B, variant 1): CBS S 82000 B 2
- Matrix / Runout (Run-out side A, variant 2): CBS-S-82000-A-5
- Matrix / Runout (Run-out side B, variant 2): CBS S 82000 B 3.
- Matrix / Runout (Runout side A, variant 3, etched): CBS-S-82000-A-5
- Matrix / Runout (Runout side B, variant 3, etched): CBS-S-82000-B-5
- Matrix / Runout (Runout side A, variant 4, etched): CBS-S-82000-A-5
- Matrix / Runout (Runout side B, variant 4, etched): CBS-S-82000-B-4
- Matrix / Runout (Runout side A, variant 5, etched): CBS-S-82000-A-5
- Matrix / Runout (Runout side B, variant 5, etched [2 B stamped]): CBS-S-82000-B-4 2 B
Other Versions (5 of 285)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Clash (LP, Album) | Columbia | PES 90434, PES-90434 | Canada | 1977 | ||
|
Recently Edited
|
The Clash (LP, Album) | CBS | CBS 82000 | Greece | 1977 | ||
|
Recently Edited
|
The Clash (LP, Album) | CBS | SBP 234994 | Australia | 1977 | ||
| The Clash (LP, Album) | CBS | CBS 82000 | Europe | 1977 | |||
|
New Submission
|
The Clash (LP, Album) | CBS | 82000, S CBS 82000 | Yugoslavia | 1977 |
Recommendations
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1972 UKVinyl —LP, Album, Stereo -
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Reviews
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Damn. This is a fantastic pressing that usurps every reissue I’ve heard over the years! Raw guitars attack up front without overpowering the vocals, drums and bass well balanced. And for all of this sonic riot, there’s a nice midrange that gives space to the music. After 40+ years I feel like I’ve finally heard this album for the first time. Wow! -
Vivid memories of seeing that cover for the first time. Putting the needle down on the run in. "He's in love with Rock and Roll, woh". Who the f*ck is Janie Jones? Who cares, this is obviously created by people like me. Who needs Remote Control? Not me. White Riot - I'd seen the agitators outside the Marquee trying to get us to throw bricks at the bill. Then the killer blow, yeah coz we're all bored with the USA, we want to star in own lives not f*cking Starsky and Hutch. Hate & War - it's like CND with safety pins. Then Deny - we all know someone like that. London's Burning with boredom, so's my home town too. Anyone who saw the Careers officer at school can relate to the lack of opportunity. Cheat's a bit dark - never thought about breaking and entering but these guys are hard. Protex Blue - we all had a johnny in our pockets that only ever got blown up and floated over the dance floor. Police & Thieves - 2 chords, lead guitar, reggae style - multicultural or what? 48 hours to fornicate is how I heard it. Garageland - that's where our band was and stayed. Put it on again. -
I can say from owning a UK first press, just looking at the artwork and colors on the back it’s incredible -
I have a copy that says Printed in Holland, it sounds great anyone know how it stacks up value wise? -
FINALLY got my hands on a clean A2/B2, with the red sticker and the ep, and can tell you it is a MONSTER! The sound is MASSIVE - literally no distortion and vocals so big and alive it’s shocking. The drums EXPLODE, the guitars HOOWWWL and it is a mind-blowing experience. The A3/B5 I have is no slouch, it too has demo disc sound, but the A2/B2 is on another level. God, Save up the Queen’s ransom to buy one - if you can find one - they don’t come along often.
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There are two different minidisc versions of this. Both the UK and US versions were released.
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Release
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38 copies from $13.51