Tracklist
A1 | Rainy Day Women #12 & 35 | |
A2 | Pledging My Time | |
A3 | Visions Of Johanna | |
A4 | One Of Us Must Know (Sooner Or Later) | |
B1 | I Want You | |
B2 | Stuck Inside Of Mobile With The | |
B3 | Leopard-Skin Pill-Box Hat | |
B4 | Just Like A Woman | |
C1 | Most Likely You Go Your Way And I'll Go Mine | |
C2 | Temporary Like Achilles | |
C3 | Absolutely Sweet Marie | |
C4 | 4th Time Around | |
C5 | Obviously 5 Believers | |
D1 | Sad Eyed Lady Of The Lowlands |
Companies, etc.
- Mastered At – Customatrix
- Recorded At – Columbia Recording Studios, Nashville
- Pressed By – Columbia Records Pressing Plant, Santa Maria
Credits
- Harmonica – Charlie McCoy (tracks: C5)
- Harmonica, Lead Guitar – Bob Dylan (tracks: B3)
- Musician [Musicians] – Wayne Moss
- Producer – Bob Johnston
- Written-By – B. Dylan*
Notes
"S" etched in runouts denotes Columbia Records Pressing Plant, Santa Maria, pressing. Remainder of runouts stamped, plating indicators (e.g., A1, B5, etc.) etched.
Label variation to Blonde On Blonde, with track B2 as "Stuck Inside Of Mobile With The" instead of "Memphis Blues Again."
Issued in first variation of gatefold jacket with nine pictures inside gatefold, including Claudia Cardinale.
Columbia red 2-eye labels with NONBREAKABLE under catalog numbers, and "Walking Eye" logo between Marcas and Reg. in rimtext.
Track A4 inside gatefold: One of Us Must Know
Track B2 inside gatefold: Memphis Blues Again
Recorded at Columbia Recording Studios, Nashville, Tennessee.
Notes (copied directly from source: W.B.) for label with the alternate "Stuck Inside Of Mobile With The" song title:
"It was definitely pressed between October 1966 and January 1967. Still uncoated stock, but apparently Columbia switched printers that handled the production of label blanks (to Queens Litho, it looks like, as they were listed among the label's vendors in a spread they put out in the Aug. 5, 1972 issue of Billboard - and I've become particularly attuned to their printing jobs, especially of post-1967 label blanks). Looks like either 70 lb. Smooth or 70 lb. Offset (both uncoated), but the red (almost tomato-ish) is especially deep for uncoated paper. The other is the switcheroo of the song title on B2, with the alignment reminiscent of what was on the old "spires" labels of 1959-62 Capitol LP's - or some Warner/Reprise LP's. (However, as it says Santa Maria pressed this, likely the label blanks were printed by Bert-Co.)"
Label variation to Blonde On Blonde, with track B2 as "Stuck Inside Of Mobile With The" instead of "Memphis Blues Again."
Issued in first variation of gatefold jacket with nine pictures inside gatefold, including Claudia Cardinale.
Columbia red 2-eye labels with NONBREAKABLE under catalog numbers, and "Walking Eye" logo between Marcas and Reg. in rimtext.
Track A4 inside gatefold: One of Us Must Know
Track B2 inside gatefold: Memphis Blues Again
Recorded at Columbia Recording Studios, Nashville, Tennessee.
Notes (copied directly from source: W.B.) for label with the alternate "Stuck Inside Of Mobile With The" song title:
"It was definitely pressed between October 1966 and January 1967. Still uncoated stock, but apparently Columbia switched printers that handled the production of label blanks (to Queens Litho, it looks like, as they were listed among the label's vendors in a spread they put out in the Aug. 5, 1972 issue of Billboard - and I've become particularly attuned to their printing jobs, especially of post-1967 label blanks). Looks like either 70 lb. Smooth or 70 lb. Offset (both uncoated), but the red (almost tomato-ish) is especially deep for uncoated paper. The other is the switcheroo of the song title on B2, with the alignment reminiscent of what was on the old "spires" labels of 1959-62 Capitol LP's - or some Warner/Reprise LP's. (However, as it says Santa Maria pressed this, likely the label blanks were printed by Bert-Co.)"
Barcode and Other Identifiers
- Other (Catalog number LP1): CS 9316
- Other (Catalog number LP2): CS 9317
- Matrix / Runout (Side A label): XSM 113765
- Matrix / Runout (Side B label): XSM 113766
- Matrix / Runout (Side C label): XSM 113767
- Matrix / Runout (Side D label): XSM 113768
- Matrix / Runout (Side A runout, var. 1): XSM113765-2F o A3 Ƨ
- Matrix / Runout (Side B runout, var. 1): XSM113766-3D o A2 Ƨ
- Matrix / Runout (Side C runout, var. 1): XSM113767-2C o A7 Ƨ
- Matrix / Runout (Side D runout, var. 1): XSM113768-2C o B5 Ƨ
- Matrix / Runout (Side A runout, var. 2): XSM113765-2C o A1 Ƨ
- Matrix / Runout (Side B runout, var. 2): XSM113766-3D o A1 Ƨ
- Matrix / Runout (Side C runout, var. 2): XSM113767-2C o A7 Ƨ
- Matrix / Runout (Side D runout, var. 2): XSM113768-2C o B5 Ƨ
Other Versions (5 of 323)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Blonde On Blonde (2×LP, Album, Mono, Pitman Pressing) | Columbia | C2L 41 | US | 1966 | ||
New Submission
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | 66012 A, 66012 B | 1966 | |||
New Submission
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | 66012, DDP 66012 | UK | 1966 | ||
Recently Edited
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | BP-473314, CL41 | New Zealand | 1966 | ||
New Submission
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | 66012, DDP 66012 | UK | 1966 |
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