The Prodigy – No Tourists
Label: |
BMG – 538426282 |
|---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Drum n Bass |
Tracklist
| 1 | Need Some1 | 2:44 | |
| 2 | Light Up The Sky | 3:20 | |
| 3 | We Live Forever | 3:44 | |
| 4 | No Tourists | 4:18 | |
| 5 | Fight Fire With Fire | 3:29 | |
| 6 | Timebomb Zone | 3:25 | |
| 7 | Champions Of London | 4:49 | |
| 8 | Boom Boom Tap | 4:06 | |
| 9 | Resonate | 3:51 | |
| 10 | Give Me A Signal | 4:03 |
Companies, etc.
- Phonographic Copyright ℗ – Take Me To The Hospital Limited
- Copyright © – Take Me To The Hospital Limited
- Licensed To – BMG Rights Management (UK) Limited
- Published By – BMG Rights Management (UK) Limited
- Published By – Good Soldier Songs
- Published By – Heavy Duty Music
- Published By – Shakin Baker
- Published By – Downtown Music Publishing
- Published By – Grandpa Lou's Publishing Co.
- Published By – Stellar Songs
- Published By – Just Isn't Music
- Published By – Supraphon A.S.
- Published By – Black Rock Publishing
- Published By – Copyright Control
- Published By – Wb Music Corp.
- Published By – Warner/Chappell Music Ltd.
- Published By – Beats G. Productions
- Published By – Golan Century Music
- Published By – Blue Flames
- Published By – Death Kult
- Published By – Shapiro, Bernstein & Co., Inc.
- Published By – So Stupid Entertainment, Inc.
- Published By – Songs
- Glass Mastered At – Sony DADC – A0103083825-0101
- Recorded At – Forwa3dstudios, London
- Mastered At – Forwa3dstudios, London
- Licensed From – Phase One Network, Inc.
- Published By – Kobalt Music Publishing Ltd.
- Licensed From – Supraphon A.S.
- Licensed From – Roadrunner Records
- Published By – Universal Music Publishing International Ltd.
- Licensed From – Metro-Goldwyn-Mayer Music Inc.
- Licensed From – So Stupid Entertainment, Inc.
Credits
- Mastered By – Prash "Engine-Earz" Mistry*
- Mastered By [Assistant] – Linden Jay
- Photography By – Rahul Singh
- Sleeve [Design] – Luke Insect
Notes
Comes in high glossy digipak.
Destination on front of the bus: The Four Aces, Dalston Lane, Hackney.
Need Some1:
Thanks To Jim Pavloff.
Incorporates elements of "Phase One Network, Inc.
Published by Grandpa Lou Publishing Co. Used by permission. All rights reserved.
Light Up The Sky:
Forwa3dstudios.
Published by Supraphon a.s.
Incorporate elements of "Mam Rad Lidi" by Supraphon a.s.
We Live Forever:
Published by Beats G Productions.
Incorporating elements of "Critical Beatdown" by Warner/Chappell North America Ltd. Used by permission. All rights reserved.
Featuring samples from the Critical Beatdown".
Produced under license from Warner Music Group company.
No Tourists:
Published by Stellar Songs.
Incorporating elements of the "Bullseye" film soundtrack, licensed courtesy of Metro-Goldwyn-Mayer Music Inc.
Fight Fire With Fire (Ft. 999 Deathkult, LLC.
Published by SESAC).
Timebomb Zone:
Incorporating elements of "Shapiro, Bernstein & Co., Inc.
Used by permission. All rights reserved.
Published by Shapiro, Bernstein & Co., Inc.
Champions Of London:
Many Thanks to René Lavice for additional production elements.
Thanks to Rob Jevons.
Published by Just Isn't Music.
Boom Boom Tap:
Incorporating Elements of "2 Weeks Sober" by So Stupid Entertainment, Inc.
Published by Stellar Songs.
Resonate:
Published by Kobalt Music Publishing Ltd).
Give Me A Signal (Ft. Universal Music Operations Limited.
Published by Stellar Songs.
All tracks mastered @ Forwa3dstudios, London.
LH: Thanks to everybody that was involved in all aspects of this record. Luv & respect to my brothers as always Keef & Maxim. Thanks to John for ur luv & dedication to our mission for noise & keeping the wheels on the bus, Claire & David at JCF Management. Thanks to Nick for ur enthusiasm & energy & Timur at Incentive Music Management. Sol, Suzie N Coda. Simon Moran at SJM & all the promoters who book us all over the world. Our live crew, thanks for all ur hard work, Mat for always having my back on stage.
Luke Insect, Matt Clarke, Pauly Spraggon & Richard Day, Mike Shepherd, Alexi. All at BMG. Ruth, Rob & all at Toast, Andrew Law & Paco R, Rob at Airplayer, Karen at Big Sister. Sammy D, Nick & all at Tileyard & bar!
My bro Neily, Tim & Rob (studio). Thanks to all our fans who come to our gigs & us, all mad heads & misfits across the world unite & resonate! Respect to u. James Rushent, René LaVice, Rob Chetcuti & Keith Camilleri, Hal Ritson, Andy Milonakis, Jim Pavloff. Tim Hutton, Brother Culture, Jean & Eaddy - HO99O9 Death Cult, Barns Courtney. Prash for the best mastering of sickness, Caspar at Gearbox. Thanks to the best drummer & finest gent a band could have, Mr Leo Crabtree. Thanks to Ob - All the hours in the studio brother, there was laughter, there were tears, there was shouting, there was sick guitar!
But above all I want to thank my family who ed me through the long days, nights & months. I love u guys to the moon and back, my son Ace, my daughter Rachel & my rock - my wife, u keep me going, love u forever, L X.
Maxim: Thanks to Linz, T, JCF Management & all the crew, Kat 4 making me look good & Jon & Tom 4 making me sound good. To all my family & friends who have been there 4 the good times & also been there 4 me through the rough times. Blessings… MM.
Keef says - No thanks.
℗ & © 2018 Take Me To The Hospital Limited under exclusive licence to BMG Rights Management (UK) Limited. Made in the E.U.
Destination on front of the bus: The Four Aces, Dalston Lane, Hackney.
Need Some1:
Thanks To Jim Pavloff.
Incorporates elements of "Phase One Network, Inc.
Published by Grandpa Lou Publishing Co. Used by permission. All rights reserved.
Light Up The Sky:
Forwa3dstudios.
Published by Supraphon a.s.
Incorporate elements of "Mam Rad Lidi" by Supraphon a.s.
We Live Forever:
Published by Beats G Productions.
Incorporating elements of "Critical Beatdown" by Warner/Chappell North America Ltd. Used by permission. All rights reserved.
Featuring samples from the Critical Beatdown".
Produced under license from Warner Music Group company.
No Tourists:
Published by Stellar Songs.
Incorporating elements of the "Bullseye" film soundtrack, licensed courtesy of Metro-Goldwyn-Mayer Music Inc.
Fight Fire With Fire (Ft. 999 Deathkult, LLC.
Published by SESAC).
Timebomb Zone:
Incorporating elements of "Shapiro, Bernstein & Co., Inc.
Used by permission. All rights reserved.
Published by Shapiro, Bernstein & Co., Inc.
Champions Of London:
Many Thanks to René Lavice for additional production elements.
Thanks to Rob Jevons.
Published by Just Isn't Music.
Boom Boom Tap:
Incorporating Elements of "2 Weeks Sober" by So Stupid Entertainment, Inc.
Published by Stellar Songs.
Resonate:
Published by Kobalt Music Publishing Ltd).
Give Me A Signal (Ft. Universal Music Operations Limited.
Published by Stellar Songs.
All tracks mastered @ Forwa3dstudios, London.
LH: Thanks to everybody that was involved in all aspects of this record. Luv & respect to my brothers as always Keef & Maxim. Thanks to John for ur luv & dedication to our mission for noise & keeping the wheels on the bus, Claire & David at JCF Management. Thanks to Nick for ur enthusiasm & energy & Timur at Incentive Music Management. Sol, Suzie N Coda. Simon Moran at SJM & all the promoters who book us all over the world. Our live crew, thanks for all ur hard work, Mat for always having my back on stage.
Luke Insect, Matt Clarke, Pauly Spraggon & Richard Day, Mike Shepherd, Alexi. All at BMG. Ruth, Rob & all at Toast, Andrew Law & Paco R, Rob at Airplayer, Karen at Big Sister. Sammy D, Nick & all at Tileyard & bar!
My bro Neily, Tim & Rob (studio). Thanks to all our fans who come to our gigs & us, all mad heads & misfits across the world unite & resonate! Respect to u. James Rushent, René LaVice, Rob Chetcuti & Keith Camilleri, Hal Ritson, Andy Milonakis, Jim Pavloff. Tim Hutton, Brother Culture, Jean & Eaddy - HO99O9 Death Cult, Barns Courtney. Prash for the best mastering of sickness, Caspar at Gearbox. Thanks to the best drummer & finest gent a band could have, Mr Leo Crabtree. Thanks to Ob - All the hours in the studio brother, there was laughter, there were tears, there was shouting, there was sick guitar!
But above all I want to thank my family who ed me through the long days, nights & months. I love u guys to the moon and back, my son Ace, my daughter Rachel & my rock - my wife, u keep me going, love u forever, L X.
Maxim: Thanks to Linz, T, JCF Management & all the crew, Kat 4 making me look good & Jon & Tom 4 making me sound good. To all my family & friends who have been there 4 the good times & also been there 4 me through the rough times. Blessings… MM.
Keef says - No thanks.
℗ & © 2018 Take Me To The Hospital Limited under exclusive licence to BMG Rights Management (UK) Limited. Made in the E.U.
Barcode and Other Identifiers
- Barcode (Scanned): 4050538426281
- Barcode (Text): 4 050538 426281
- Label Code: LC19813
- Rights Society (Publishing): SESAC
- Matrix / Runout (Variant 1): Sony DADC A0103083825-0101 31 A00
- Mastering SID Code (Variant 1): IFPI L551
- Mould SID Code (Variant 1): IFPI 9417
- Matrix / Runout (Variant 2): Sony DADC A0103083825-0101 27 A00
- Mastering SID Code (Variant 2): IFPI L557
- Mould SID Code (Variant 2): IFPI 944T
- Matrix / Runout (Variant 3): Sony DADC A0103083825-0101 42 A00
- Mastering SID Code (Variant 3): IFPI L552
- Mould SID Code (Variant 3): IFPI 94V5
- Matrix / Runout (Variant 4): Sony DADC A0103083825-0101 31 A00
- Mastering SID Code (Variant 4): IFPI L551
- Mould SID Code (Variant 4): IFPI 94U7
- Matrix / Runout (Variant 5): Sony DADC A0103083825-0101 11 A00
- Mastering SID Code (Variant 5): IFPI L551
- Mould SID Code (Variant 5): IFPI 948R
- Matrix / Runout (Variant 6): Sony DADC A0103083825-0101 31 A00
- Mastering SID Code (Variant 6): IFPI L551
- Mould SID Code (Variant 6): IFPI 9460
- Matrix / Runout (Variant 7): Sony DADC A0103083825-0101 11 A00
- Mastering SID Code (Variant 7): IFPI L551
- Mould SID Code (Variant 7): IFPI 942Q
Other Versions (5 of 20)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
No Tourists (2×LP, Album, Limited Edition, Violet [Clear Violet]) | BMG | 538426311 | UK, Europe & US | 2018 | ||
|
Recently Edited
|
No Tourists (2×LP, Album, 180g) | BMG | 538426291 | Europe | 2018 | ||
|
Recently Edited
|
No Tourists (10×File, FLAC, Album, 24bit) | Take Me To The Hospital | 405053 8426267 | Europe | 2018 | ||
|
Recently Edited
|
No Tourists (2×LP, Album, Numbered, Test Pressing, White Label) | Take Me To The Hospital | 538426291 | UK | 2018 | ||
|
Recently Edited
|
No Tourists (Cassette, Album) | BMG | 538426368 | UK | 2018 |
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Reviews
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Edited 3 years agoGreat latest Prodigy album finally, after the awful ''The Day Is My Enemy''.
''No Tourists'' is a return to pure quality of hard hitting tracks. Best track of the album for me is ''Resonate''. A track from the future...........way ahead from even the time i'm writing this review. -
This album is exactly what I wanted after I fell in love with jilted generation and fat of the land. -
its not amazing. maybe better than day is enemy. but definitely 1000000 times better than ed sheeran, billie eilish, taylor swift or olivia rodrigo.
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This is awful ho back nineties always preferd german techno sven vath cosmoc bay kraftwerk ect roni size drum and bass jilled generation good album fat of land not bad this cometcial shite
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What a load of shit, totally sold out after Experience, became an imitation of pendulum which I felt was an imitation of prodigy.... -
Edited 6 years agoBritish Music Awards (Brit Awards) On Tv Next Year - Mr Keith Flint - Awarded - Outstanding Contributions To Dance Music 1990 - 2019, You Read It Here First By Me !
Charly Says - Rest In Peace Brother ! -
Best album they have done since The Fat Of The Land. Amazing production and mastering on this one. -
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I haven't heard the album yet, and by the tracks that I already heard, honestly, probably won't do it. The good production is there, but that's not enough, I mean .. some of those tracks are just dumb, redundant, predictable, obvious. From "Invaders.." to this day, they have been making tracks intended to be played and experienced in live (they always do, but ... if you know what I try to say ...). Although that's pretty cool because some of those songs are like little capsules of madness ... (alive, it explodes) the problem is that their songs aren't memorable anymore.Anyway, The Prodigy is not of those bands in where his albums are pieces of work to be heard from beginning to end. They have some really good tracks on an album, and a few others are forgettable. However after all these years, this is what they choose to do. I personally believe that this is one of those projects that if they would focus in to experimenting with their harsh and heavy sound (yet, catchy) would being delivering far better songs. Instead, they still choose to make music that isn't too different from the whole edm scene that they've tried to critic with that awful track "Ibiza". -
Edited 5 years agoI was not expecting that, but it is a very cool record!
After TDIME I had no expectations.
I really liked few tunes on it (the title track, Destroy, Wild Frontier, Medicine) but as a whole it was bit too noisy, all over the place and at the end underwhelming.
And this one took me by surprise!
I enjoy every single tune on it.
It's a very well crafted mix of everything that Prodigy done before.
There are call backs to all four first albums on it, which I find very entertaining.
My only problem with Liam nowadays is the fact he writes tunes for playing them live only.
The LP sounds more like a compilation of concert bangers than a proper album.
Tunes are way too short (which is a really fucked up tendency recently).
It kills the vibe on some level, and tunes are less creative, he is not experimenting as much as he used to.
Just imagine tunes like Timebomb Zone were at least 5 or 6 minutes long, Jesus!
Or what if Give Me a Signal had an acid rinse out for 3 or 4 minutes long instead of 1 minute in the second half of the track.
The solution is simple in my opinion.
We need extended tunes for an LP and rearranged, shorter edits for live gigs.
Also Liams still sucks in stadium drum'n'bass hehe, COL and BBT are the weakest tracks on the LP :)
To sum it up, NT is neither groundbreaking like E, MFTJG or TFOTL nor fresh and different like AONO (criminally underrated LP) but it is a proper, well produced bunch of banging tunes which both old heads and new heads should enjoy.
It's energetic, it's ravey. It simply has the Prodigy's quality to it!
And it's defenitely way better than a previous one :)
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