Tom WaitsFranks Wild Years

Label:

Island Records – 7 90572-1

Format:

Vinyl , LP, Album, Stereo , SP - Specialty Pressing, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Avantgarde

Tracklist

Act I
A1 Hang On St. Christopher
Alto HornGreg Cohen
Arranged By [Horns]Greg Cohen
DrumsMichael Blair
Effects [Leslie Bass Pedals]William Schimmel
GuitarMarc Ribot
Tenor SaxophoneRalph Carney
VocalsTom Waits
Written-ByTom Waits
2:41
A2 Straight To The Top (Rhumba)
CongasMichael Blair
Double Bass [Upright Bass]Larry Taylor
Effects [Leslie Bass Pedals]Greg Cohen
Pump OrganWilliam Schimmel
Saxophone [Saxes]Ralph Carney
Vocals, Organ [Optigon], CongasTom Waits
Written-ByTom Waits
2:27
A3 Blow Wind Blow
Alto HornGreg Cohen
GlockenspielMichael Blair
Organ [Pump]Francis Thumm
Vocals, Pump OrganTom Waits
Written-ByTom Waits
3:32
A4 Temptation
BassGreg Cohen
GuitarMarc Ribot
Organ [Optigon], Vocals, GuitarTom Waits
Percussion, Congas, Maracas [Marachas]Michael Blair
SaxophoneRalph Carney
Written-ByTom Waits
3:44
A5 Innocent When You Dream (Barroom)
BassGreg Cohen
PianoWilliam Schimmel
Pump Organ, VocalsTom Waits
ViolinRalph Carney
Written-ByTom Waits
4:14
A6 I'll Be Gone
AccordionWilliam Schimmel
Baritone HornRalph Carney
BassGreg Cohen
GuitarMorris Tepper*
MarimbaMichael Blair
Vocals, Other [Rooster]Tom Waits
Written-ByTom Waits
3:10
A7 Yesterday Is Here
BassLarry Taylor
Vocals, Guitar, TambourineTom Waits
Written-ByTom Waits
2:21
A8 Please Wake Me Up
Baritone HornRalph Carney
BassJay Anderson
Vocals, Mellotron, Organ [Optigon]Tom Waits
Written-ByTom Waits
3:28
A9 Franks Theme
Vocals, Pump OrganTom Waits
Written-ByTom Waits
1:45
Act II
B1 More Than Rain
AccordionWilliam Schimmel
Baritone HornRalph Carney
BassGreg Cohen
Bells [Orquestra]Michael Blair
GuitarMorris Tepper*
Piano [Prepared]Francis Thumm
Vocals, Organ [Optigon]Tom Waits
Written-ByTom Waits
3:39
B2 Way Down In The Hole
Backing VocalsLynne Jordan
BassGreg Cohen
GuitarMarc Ribot
PercussionMichael Blair
Saxophone [Saxes]Ralph Carney
VocalsTom Waits
Written-ByTom Waits
3:26
B3 Straight To The Top (Vegas)
Arranged ByGreg Cohen
BassGreg Cohen
DrumsMichael Blair
Piano [Cocktail]William Schimmel
Tenor SaxophoneRalph Carney
Vocals [Vocal Stylings]Tom Waits
Written-ByTom Waits
3:24
B4 I'll Take New York
BassGreg Cohen
DrumsMichael Blair
Pump OrganWilliam Schimmel
SaxophoneRalph Carney
VocalsTom Waits
Written-ByTom Waits
4:08
B5 Telephone Call From Istanbul
BanjoMarc Ribot
BassGreg Cohen
DrumsMichael Blair
GuitarMorris Tepper*
Vocals, Organ [Farfisa], DrumsTom Waits
Written-ByTom Waits
3:08
B6 Cold Cold Ground
AccordionDavid Hidalgo
BassLarry Taylor
Guitar, VocalsTom Waits
Written-ByTom Waits
4:04
B7 Train Song
AccordionDavid Hidalgo
Alto HornGreg Cohen
BassLarry Taylor
Piano, Vocals, Pump OrganTom Waits
Written-ByTom Waits
3:16
B8 Innocent When You Dream (78)
Written-ByTom Waits
3:07

Companies, etc.

  • Record CompanyIsland Records Inc.
  • Record CompanyIsland Entertainment Group, Inc.
  • Record CompanyAntilles Communications Ltd.
  • Record CompanyWarner Communications
  • Record CompanyAtlantic Recording Corporation
  • Distributed ByAtlantic Recording Corporation
  • Distributed ByATCO Records
  • Phonographic Copyright ℗Island Records Inc.
  • Copyright ©Island Records Inc.
  • Recorded AtSunset Sound
  • Recorded AtThe Sound Factory
  • Recorded AtUniversal Recording Studio
  • Mixed AtSunset Sound
  • Mastered AtMasterdisk
  • Pressed BySpecialty Records Corporation
  • Published ByJalma Music
  • Copyright ©Jalma Music
  • Published ByAckee Music, Inc.

Credits

  • Art DirectionJeff Price (2)
  • Coordinator [Project]Frankie Doctor
  • Design Concept [Conception], Photography ByJ.B. Mondino*
  • Engineer [Additional]Tchad Blake
  • Make-UpMathilde Lemann
  • Mastered By [DMM]Howie Weinberg
  • Mixed ByBiff Dawes
  • ProducerTom Waits
  • Producer [Assistant]Ellen Smith (2)
  • Recorded ByDanny Leake

Notes

"SP" in label matrix and in runouts denotes Specialty Records Corporation pressing.
"E A S T" embossed around side B center spindle hole indicates metal parts originally fabricated for use at Allied Record Company.
DMM = Direct Metal Mastering.

Some copies may have "Direct Metal Mastering DMM" hype sticker affixed to jacket front cover.
Some copies may have gold promo stamp on jacket back cover:
"Lent for promotional use only. Any sale or unauthorized transfer is prohibited and void. Subject to return upon demand by owner. Acceptance of this record constitutes agreement to the above."

Subtitle: "Un Operachi Romantico in Two Acts"

Issued in gatefold jacket with lyrics, credits and artwork inside.

First cat. # on jacket back, labels
Second cat. # on jacket spine

Issued on black Island "i" logo labels.

On labels:
Island Records, Inc. TM owned by Antilles Communications Ltd. Dist. by Atlantic Recording Corp. A Warner Communications company.
On jacket:
Island Records, Inc., distributed by Atco Records, division of Atlantic Recording Corporation. A Warner Communications company.
℗ © 1987 Island Records, Inc. *TM owned by Island Entertainment Group, Inc.

Recorded At
Sunset Sound, Los Angeles
Sunset Sound Factory, Los Angeles
Universal Recording Corp., Chicago
Mixed at Sunset Sounds, Los Angeles
Mastered at Masterdisk, New York

Dedicated to
Kathleen

David Hidalgo
appears courtesy of Slash/Warner Bros. Inc.

Publishing:
In gatefold:
© 1986, 1987 Jalma Music,
. By Ackee Music, Inc. (ASCAP)

On labels:
Published by Jalma Music istered by Ackee Music Inc. (ASCAP)

"The theatrical debut of Franks Wild Years by Kathleen Brennan and Tom Waits had its world premiere in Chicago, Illinois June 22 1986 with Steppenwolf Theatre Company at The Briar St. Theatre in association with Jujamcyn."

Runouts are etched.

Some have "Side B" labels on both sides, but the record plays fine.

Barcode and Other Identifiers

  • Barcode (Printed): 0 7567-90572-1 1
  • Barcode (Scanned): 075679057211
  • Rights Society: ASCAP
  • Pressing Plant ID (Label matrix): SP
  • Pressing Plant ID (Side B, embossed around center hole): E A S T
  • Matrix / Runout (Side A label): ST-IL 876459-SP
  • Matrix / Runout (Side B label): ST-IL 876460-SP
  • Matrix / Runout (Side A runout, variant 1): ST-IL-876459-A-DMM SP1-1 MASTERDISK DMM
  • Matrix / Runout (Side B runout, variant 1): ST-IL 876460-B-DMM MASTERDISK SP
  • Matrix / Runout (Side A runout, variant 2): ST-IL-876459-A-DMM SP1-1 MASTERDISK DMM
  • Matrix / Runout (Side B runout, variant 2): ST-IL 876460-B-DMM MASTERDISK SP1-1

Other Versions (5 of 113)

View All
Title (Format) Label Cat# Country Year
Franks Wild Years (LP, Album, Stereo, Gatefold Sleeve) Island Records 208 216 Europe 1987
Recently Edited
Franks Wild Years (LP, Album, Gatefold) Island Records ITW 3 UK 1987
Recently Edited
Franks Wild Years (LP, Album, Club Edition, Gatefold) Island Records ISL 1129 Canada 1987
Recently Edited
Franks Wild Years (CD, Album) Island Records ITWCD 3 UK 1987
Recently Edited
Franks Wild Years (LP, Album, Stereo) Island Records ITW 3 Italy 1987

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Reviews

  • flatwound's avatar
    flatwound
    My copy (goodwill find from long ago) sounds fantastic- clear treble, full bass- a very nice lp. If you can find a clean version-
    • albertocaeiro's avatar
      albertocaeiro
      Tom’s 12 July ‘23 newsletter: The good - Universal will reissue his Island Records catalog ~ Swordfishtrombones, Rain Dogs, Frank’s Wild Years, Bone Machine, and The Black Rider ~ on CD and on vinyl this Fall. Limited edition coloured vinyl options, too. The bad - the remastering is, again, being overseen by Tom and Kathleen Brennan. Expect the same veiled, shaved-highs sonics as presented in the Asylum reissues.

      Update: Chris Bellman digitally remastered from the original tapes. Good chance these remasters will sound better than the Asylum catalog reissues.
      • apotos's avatar
        apotos
        I tested this on a technics in a record store and was pretty disappointed with the sound. With these prices I won't even bother until there are 2lp reissues
        • TomWaitsForGodot's avatar
          I love all Tom Waits records, truly. But the Island records from the 80s from Swordfishtrombones to Big Time are my favorites, and Franks has long been my “pick one” Waits album. This recording is dynamite. Speciality, Masterdisk, and DMM were matches made in Heaven. Good separation and I love where Tom is in the soundstage. This record, as fans know, is naturally bass forward. That emphasis is wonderfully given life here without being overly dominant. God, I love this record. Thanks to everyone involved with this masterpiece.
          • TheMDub's avatar
            TheMDub
            A great experience of an often overlooked and under appreciated work.
            • Toadspotter's avatar
              Toadspotter
              I am in agreement that this is a gem! He seemed to fully figure out his "character" by this time. The songs don't seem to follow pop or singing structures that kind of made catchier songs on Raindogs and SFTB... but instead follow this cool story teller logic. Songs that are too catchy sometimes get old to me, but I can keep listening to this and go into his cool alternative world.
              • coil1002's avatar
                coil1002
                Not alone this is by far the best waits Album
                • h.drauschke's avatar
                  h.drauschke
                  Not at all! - But, in fact, it seems to me that Tom Waits himself is Mr Waits' masterpiece.
                  • Misannthorpe's avatar
                    Misannthorpe
                    Apparently I happen to be alone in considering this Mr Waits' masterpiece!

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