Nu Shooz – I Can't Wait
Label: |
Poolside Records (2) – PRC 1001 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Funk |
Tracklist
| A | I Can't Wait | 4:12 | |
| B | Don't Turn Back | 4:20 |
Companies, etc.
- Published By – Poolside Music
- Copyright © – Poolside Records (2)
- Recorded At – Cascade Recording Studios
- Recorded At – Fresh Tracks Studio
- Mixed At – Cascade Recording Studios
- Mastered At – EMI America Recording Studios
- Phonographic Copyright ℗ – Poolside Records (2)
- Pressed By – Rainbo Records – R-9803
- Pressed By – Rainbo Records – R-9804
Credits
- Backing Vocals – Los Girls
- Bass Guitar – Gary (1½ Take) Fountaine*
- Design Concept [Sleeve Concept], Design – Sosumi*
- Design [Implemented By] – Fred Ingram (2)
- Drum Programming [Linn Drum Programs] – Brian Davis (2)
- Drums [Drum Set] – Pete Williams*
- Engineer – Jon Lindahl
- Guitar [Guitars] – John Smith (7)
- Horns – The Shoo Horns
- Keyboards – Mark Bosnian
- Management, Booking, Other [Fan Club Info] – Sosumi Productions*
- Mixed By – Mike Moore (2)
- Percussion [Additional Percussion] – Valerie Day
- Performer [Los Girls], Backing Vocals – V. Day*
- Performer [The Shoo Horns], Saxophone [Sax] – Danny Schauffler
- Performer [The Shoo Horns], Trumpet [Tpt] – Lewis Livermore
- Photography By – Gustavo Rapoport
- Producer – The Drone Bros.
- Programmed By [Synth Programs] – Danny Schauffler
- Synthesizer [Moog Bass] – Nathaniel Phillips
- Written-By – John Smith (7)
Notes
℗© 1985 Poolside Records
"I Can't Wait" recorded fall of 1984 at Cascade Recording, Portland, OR
This is the original version of "I Can't Wait," before it was remixed and released on Atlantic Records.
"Don't Turn Back" recorded January 1984 at Fresh Tracks Studio, Portland, OR
The vinyl is in a generic white paper sleeve and the additional 7" record sleeve unfolds into a 14x21 inch poster.
"I Can't Wait" recorded fall of 1984 at Cascade Recording, Portland, OR
This is the original version of "I Can't Wait," before it was remixed and released on Atlantic Records.
"Don't Turn Back" recorded January 1984 at Fresh Tracks Studio, Portland, OR
The vinyl is in a generic white paper sleeve and the additional 7" record sleeve unfolds into a 14x21 inch poster.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Side A etched, except "MASTERED BY EMI/A" stamped): R-9803 1-1 MASTERED BY EMI/A
- Matrix / Runout (Side B etched, except "MASTERED BY EMI/A" stamped): R-9804 1- MASTERED BY EMI/A
Other Versions (5 of 76)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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I Can't Wait (American Mix / Dutch Mix) (12", 45 RPM, Maxi-Single, Stereo) | Injection Disco Dance Label | 234.709 | Netherlands | 1985 | ||
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Recently Edited
|
I Can't Wait (Dutch Mix) (7", 45 RPM) | Injection Disco Dance Label | 134.709 | Netherlands | 1985 | ||
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New Submission
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I Can't Wait (American Mix / Dutch Mix) (12", 45 RPM, Maxi-Single, Stereo, Misprint) | Injection Disco Dance Label | 234.709 | Netherlands | 1985 | ||
|
New Submission
|
I Can't Wait (7", 45 RPM, Single) | Injection Disco Dance Label | 134.709 | Netherlands | 1985 | ||
|
New Submission
|
I Can't Wait (12", 45 RPM, Maxi-Single, Injection sleeve) | Injection Disco Dance Label | 234.709 | Netherlands | 1985 |
Recommendations
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1977 USVinyl —LP, Album, Compilation, Repress -
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Reviews
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Why isn’t anyone talking about how this song closely resembles “I Don’t Want To Be Late!”, by MC Dr “T”? Both came out in 1986 but I wonder which came first? -
The story about the track Nu Shooz – I Can't Wait (Vocal/Long "Dutch Mix") is that Peter Slaghuis the remix produced from the original version. In that time the label owners had Peter several times to make a remix of this track. In the first he didn’t want to do that because he didn’t like the track but after several phone calls Peter did make the remix. Peter remixed the track in 1,5 hour. After the label owner listing to the remix t and liked the remix. They called Peter to let him know that the remix get released and asked Peter the costs are. Peter had 2 option, remix royalties or $500. Peter took the $500 to end this story because wanted to finished this order..!
It became a number 1 hit all over the world!
Release
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Recently Edited
Recently Edited
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