Fleetwood Mac – Rumours
Label: |
Warner Bros. Records – NR 8 |
|---|---|
Series: |
SuperDiscs |
Format: |
Vinyl
, LP, Album, Reissue, Remastered, Stereo
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | Second Hand News | 2:43 | |
| A2 | Dreams | 4:14 | |
| A3 | Never Going Back Again | 2:02 | |
| A4 | Don't Stop | 3:11 | |
| A5 | Go Your Own Way | 3:38 | |
| A6 | Songbird | 3:20 | |
| B1 | The Chain | 4:28 | |
| B2 | You Make Loving Fun | 3:31 | |
| B3 | I Don't Want To Know | 3:11 | |
| B4 | Oh Daddy | 3:54 | |
| B5 | Gold Dust Woman | 4:51 |
Companies, etc.
- Copyright © – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Recorded At – Record Plant, Sausalito
- Recorded At – Record Plant, Los Angeles
- Recorded At – Wally Heider Recording Studio, Los Angeles
- Recorded At – Criteria Recording Studios
- Recorded At – Davlen Sound Studios
- Recorded At – Zellerbach Auditorium
- Mixed At – Sound City Studios
- Mixed At – Record Plant, Los Angeles
- Mastered At – KM Matrix
- Pressed By – KM Records Inc. – KM-4559
- Manufactured By – Nautilus Recordings
- Distributed By – Nautilus Recordings
- Licensed From – Warner Bros. Records
- Record Company – Warner Bros. Records Inc.
- Record Company – Warner Bros. Inc.
- Record Company – Warner Communications
- Published By – Gentoo Music, Inc.
- Published By – Screen Gems-EMI Music Inc.
- Copyright © – Gentoo Music, Inc.
- Copyright © – Now Sounds Music
- Copyright © – Welsh Witch Music
Credits
- Bass – John McVie
- Calligraphy [Hand Lettering] – Larry Vigon
- Co-producer [With] – Richard Dashut
- Coordinator [Production Coordinator Warner Special Product] – Trisha John Krane
- Crew [Studio Crew] – Rhyno
- Design Concept – Herbert Worthington*
- Design [Album Design] – Desmond Strobel
- Drums, Percussion – Mick Fleetwood
- Engineer – Richard Dashut
- Engineer [Assisted By] – Cris Morris*
- Engineer [Digital Engineer] – Rich Feldman
- Engineer [Quality Assurance Warner Bros. Records] – Paul Wexler
- Executive-Producer – Ken Caillat
- Guitar, Vocals – Lindsey Buckingham
- Keyboards, Synthesizer, Vocals – Christine McVie
- Management – Seedy Management
- Mastered By, Engineer [Mastering Engineer] – Ken Perry
- Photography By – Herbert Worthington*
- Plated By – Rick Goldman
- Producer – Fleetwood Mac
- Technician [Pressing] – Mike Malan
- Vocals – Stevie Nicks
Notes
Issued in Nautilus poly inner sleeve, with 11" x 22" poster which includes studio photos, lyrics, and credits.
Digitally remastered
We would like to thank Fleetwood Mac and Ken Caillat for their personal involvement with this project thereby assuring the highest quality possible.
RECORDED AT:
The Record Plant, Sausalito and Los Angeles, California
Wally Heider Recording Studios, Los Angeles, California
Criteria Studios, Miami, Florida
Davlen Recording Studio, North Hollywood, California
"Songbird" recorded at Zellerback Auditorium, U.C. Berkeley, March 3rd, 1976.
MIXED AT:
Sound CIty, Van Nuys, California
and the Record Plant, Los Angeles, California
All selections published and controlled by Gentoo Music, Inc. (BMI)
All musical compositions istered by Screen Gems-EMI Music Inc. for U.S. and Canada.
Digitally remastered
We would like to thank Fleetwood Mac and Ken Caillat for their personal involvement with this project thereby assuring the highest quality possible.
RECORDED AT:
The Record Plant, Sausalito and Los Angeles, California
Wally Heider Recording Studios, Los Angeles, California
Criteria Studios, Miami, Florida
Davlen Recording Studio, North Hollywood, California
"Songbird" recorded at Zellerback Auditorium, U.C. Berkeley, March 3rd, 1976.
MIXED AT:
Sound CIty, Van Nuys, California
and the Record Plant, Los Angeles, California
All selections published and controlled by Gentoo Music, Inc. (BMI)
All musical compositions istered by Screen Gems-EMI Music Inc. for U.S. and Canada.
Barcode and Other Identifiers
- Rights Society: BMI
- Pressing Plant ID (In runouts): KM
- Matrix / Runout (Runout A, variant 1): NR8-SIDE1 F10 KM-4559-A10 KP + KM + MASTERED BY CAPITOL
- Matrix / Runout (Runout B, variant 1): NR8 SIDE2 F8 KM-4559-B8 KP + KM + MASTERED BY CAPITOL
- Matrix / Runout (Runout A, variant 2): NR8-SIDE1 F10 KM-4559-A10 KP + KM + MASTERED BY CAPITOL
- Matrix / Runout (Runout B, variant 2): NR8 SIDE2 F10 KM-4559-B10 KP + KM + MASTERED BY CAPITOL
- Matrix / Runout (Runout A, variant 3): NR8-SIDE1 F11 KM-4559-A11 KP + KM + MASTERED BY CAPITOL
- Matrix / Runout (Runout B, variant 3): NR8 SIDE2 F10 KM-4559-B10 KP + KM ++ MASTERED BY CAPITOL
Other Versions (5 of 771)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Rumours (LP, Album, Stereo, Textured Sleeve) | Warner Bros. Records | WB 56 344 | 1977 | |||
| Rumours (LP, Album, Stereo) | Warner Bros. Records | K56344, K 56344 | UK | 1977 | |||
|
Recently Edited
|
Rumours (LP, Album, Los Angeles Pressing) | Warner Bros. Records | BSK 3010 | US | 1977 | ||
|
Recently Edited
|
Rumours (LP, Album, Stereo) | Warner Bros. Records | WB 56344 | Netherlands | 1977 | ||
|
Recently Edited
|
Rumours (LP, Album) | Warner Bros. Records | 56.344, 56 344-A, BSK 3010, 56344 | 1977 |
Recommendations
-
1979 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo -
-
1978 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo -
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1981 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo -
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1981 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo -
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Reviews
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For on average double the price of a really nice American pressing Original this is the one I reach for. The drums and bass are more defined and very enjoyable. Sounds better than early American pressings I’ve had. Worth 40-50$ imo -
Dead silent, heavy vinyl. This is my only copy of this album so I have nothing to compare it to, but I think it sounds amazing. -
Is this just the original 1977 Ken Perry cut re-plated and repressed by KM? The runouts seem to suggest this. (Mastered by capitol/kp) -
I compared this copy with 1st Canadian copy. Nautilus version offers slight more weighty voice, less sibilance and lower noise floor (quieter vinyl). So I keep Nautilus copy and sold 1st Canadian copy.
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Don't let anyone tell you that this SuperDisc Nautilus copy sounds like crap because it's a very solid pressing. Nice and quiet, good clarity and separation, it plays great. The only thing it's lacking is a well-defined low end and it's maybe missing some warmth overall. My Bob Ludwig mastered pressing has a much better bass sound which really helps fill out most of these songs. But after listening to Rumours thousands of times, I've realized just how odd some of the production is, which can really throw you off when you're trying to find the right copy.
Release
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Recently Edited
Recently Edited
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