Porcupine Tree – Deadwing
Label: |
Kscope – KSCOPE986 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Rock |
Style: |
Symphonic Rock |
Tracklist
| A1 | Deadwing | 9:46 | |
| A2 | Shallow | 4:16 | |
| A3 | Lazarus | 4:18 | |
| B1 | Halo | 4:38 | |
| B2 | Arriving Somewhere But Not Here | 12:02 | |
| C1 | Mellotron Scratch | 6:56 | |
| C2 | Open Car | 3:46 | |
| C3 | Start Of Something Beautiful | 7:39 | |
| D1 | Glass Arm Shattering | 6:13 | |
| D2 | So Called Friend | 4:48 | |
| D3 | Half-Light | 6:20 |
Companies, etc.
- Manufactured By – Snapper Music Ltd.
- Phonographic Copyright ℗ – Snapper Music
- Copyright © – Snapper Music
- Pressed By – Optimal Media GmbH – BH09853
- Published By – Warner/Chappell
- Recorded At – No Man's Land (3)
- Recorded At – The Artillery (2)
- Recorded At – Bourne Place
- Recorded At – New Rising Studios
- Recorded At – RAK Studios
- Recorded At – Astoria (2)
- Recorded At – Livingston Studios
Credits
- Artwork [Artwork And Montage] – Mike Bennion
- Bass Guitar – Steven Wilson (tracks: A1, A3, C2)
- Bass Guitar [Middle Section] – Steven Wilson (tracks: B2)
- Design – Carl Glover (4)
- Drums, Percussion, Producer [Additional] – Gavin Harrison
- Harmony Vocals – Mikael Åkerfeldt (tracks: A1, A3, B2)
- Keyboards, Synthesizer, Producer [Additional] – Richard Barbieri
- Lyrics By – Steven Wilson
- Music By – Steven Wilson (tracks: A1 to A3, B2 to C3)
- Photography By – Lasse Hoile
- Producer, Mixed By, Remastered By – SW*
- Recorded By [Additional Guitar Recording] – Paul Northfield
- Vocals, Guitar, Piano, Keyboards, Dulcimer [Hammered] – Steven Wilson
Notes
Recorded in England between March-Oct 2004 at No Man's Land, The Artillery, Bourne Place, New Rising, RAK, Astoria and Livingstone.
Some elements retained from demos recorded 2003-04.
Deadwing is based on a screenplay by Steven Wilson and Mike Bennion
Remastered by SW November 2017
℗ 2005 Snapper Music © 2018 Snapper Music
Made in .
Some elements retained from demos recorded 2003-04.
Deadwing is based on a screenplay by Steven Wilson and Mike Bennion
Remastered by SW November 2017
℗ 2005 Snapper Music © 2018 Snapper Music
Made in .
Barcode and Other Identifiers
- Barcode (Text): 802644898612
- Barcode (Scanned): 802644898612
- Label Code: LC01757
- Matrix / Runout (Runout A-side, etched): KSCOPE982 BH09853-01 A1
- Matrix / Runout (Runout B-side, etched): KSCOPE982 BH09853-01 B1
- Matrix / Runout (Runout C-side, etched): KSCOPE982 BH09853-02 C1
- Matrix / Runout (Runout D-side, etched): KSCOPE982 BH09853-02 D1
Other Versions (5 of 37)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Deadwing (CD, Album, Stereo) | Lava | 7567-93437-2 | Europe | 2005 | |||
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Recently Edited
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Deadwing (CD, Album, Enhanced) | Lava | 93812-2 | US | 2005 | ||
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Recently Edited
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Deadwing (2×LP, Album, Limited Edition) | Gates Of Dawn | GOD009 | US | 2005 | ||
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New Submission
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Deadwing (CD, Advance, Album, Copy Protected, Promo, Card Sleeve) | Lava | 2A-93812B | US | 2005 | ||
| Deadwing (CD, Album, DVD, Multichannel, All Media, Limited Edition, Digibook) | Lava | 93827 | US | 2005 |
Recommendations
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2013 EuropeVinyl —LP, Album, Stereo -
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Reviews
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A fantastic pressing of a great album. Anyone complaining about this pressing and the way it sounds should go get their ears checked out. Q-tips also help.
Just because you overpaid tens of thousands of dollars for overrated audio equipment and feel the need to list your set up like that makes your opinion any less relevant doesn’t mean you’re hearing anything different than someone with a system that cost a fraction of the price. Especially with the way albums are pressed these days. -
All the surface noise been removedf with a propper clean ? really great sounding pressing -
Edited one year agoYes…there is some surface noise in the quiet parts. The cliche vinyl record crackles. Great sounding record otherwise. Glad to have in my collection.
Really just wanted to plug Arriving Somewhere But Not Here on vinyl. Worth the price of ission. What a journey. Oh…and the last part of Mellotron Scratch put my AVR into protection mode. Gotta crank that. -
There's a little surface noise though the first disc but the music sounds amazing. Surface noise is very apparent in some softer ages and is a tad distracting. Otherwise beautiful packaging and sound dynamic. Plays well cranked up and turned down -
My copy has a little surface noise that is noticeable in the softest ages but sounds _fantastic_ otherwise (zero pops, zero clicks) and in no way sounds flat. The two additional tracks are a nice bonus. -
Edited 2 years agoI’m fairly sure the copies of this currently on the market are not the 180g press from 2018, and the negative does not apply to that press. I have the 2018 copies of this and In Absentia and they are among the flattest and quietest records I own. Perhaps owners need to check their doesn’t belong on the 2021 repress page?
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had to return one that couldn't even start because a third of the edge looked like it was scraped on concrete. i won't blame any employees, perhaps the lighting in the factory is poor? -
Not sure what all the negative reviews are about. Mine is dead quiet and sounds fantastic. Dynamic and warm... definitely wouldn't describe it as flat. I did Spinclean the record, as I do with all albums shipped in paper sleeves. But even before I did I don't this ever sounding bad.
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I think there are too many positive reviews, because people like the album itself, but they don't understand anything about the sound quality.
Release
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