Miles Davis – Bitches Brew
Label: |
Columbia – GQ 30997 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Experimental |
Tracklist
| A | Pharaoh's Dance | 19:35 | |
| B | Bitches Brew | 26:45 | |
| C1 | Spanish Key | 17:30 | |
| C2 | John Mclaughlin | 4:23 | |
| D1 | Miles Runs The Voodoo Down | 14:03 | |
| D2 | Sanctuary | 10:54 |
Companies, etc.
- Mastered At – Customatrix
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Pressed By – Columbia Records Pressing Plant, Pitman
- Mastered At – Columbia Recording Studios
Credits
- Artwork [Cover Art] – Mati Klarwein
- Bass – Dave Holland
- Bass Clarinet – Bennie Maupin
- Bass [Fender] – Harvey Brooks
- Cover [Cover Design] – John Berg
- Drums – Lenny White
- Electric Guitar – John McLaughlin
- Electric Piano – Larry Young (tracks: A, C1 to D1)
- Engineer – Stan Tonkel
- Liner Notes – Ralph J. Gleason
- Percussion – Jim Riley
- Producer – Teo Macero
- Soprano Saxophone – Wayne Shorter
- Supervised By [Quadraphonic Sound Supervisor], Engineer [Quadraphonic Remix Engineer] – Ray Moore
- Trumpet – Miles Davis
Notes
Similar to Bitches Brew, this one's labels read "Stereo" instead of "Quadraphonic". Issued in a golden gatefold sleeve. Gold labels with “Columbia Quadrophonic SQ" and “one-eye symbol” in red lettering.
Labels and cover Printed in U.S.A.
Runouts are stamped. "P", "C", "|" and "4" may look smaller or very faint. The "C" is like this one. The second "P" is like this one.
Labels and cover Printed in U.S.A.
Runouts are stamped. "P", "C", "|" and "4" may look smaller or very faint. The "C" is like this one. The second "P" is like this one.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Label side A): QAL 30998
- Matrix / Runout (Label side B): QBL 30998
- Matrix / Runout (Label side C): QAL 30999
- Matrix / Runout (Label side D): QBL 30999
- Matrix / Runout (Label sides A and B): CQ 30998
- Matrix / Runout (Label sides C and D): CQ 30999
- Matrix / Runout (Runout side A, variant 1): o P Q AL 30998-1D C
- Matrix / Runout (Runout side B, variant 1): o P Q BL 30998-1D C 2
- Matrix / Runout (Runout side C, variant 1): o P Q AL 30999-1A P 3 C
- Matrix / Runout (Runout side D, variant 1): o P Q BL 30999-1A P | 4 C
- Matrix / Runout (Runout side A, variant 2): o P Q AL 30998-1E | 4
- Matrix / Runout (Runout side B, variant 2): o P Q BL 30998-1A
- Matrix / Runout (Runout side C, variant 2): o P Q AL 30999-1A
- Matrix / Runout (Runout side D, variant 2): o P Q BL 30999-1A | C
- Matrix / Runout (Runout side A, variant 3): o P Q AL 30998-1D
- Matrix / Runout (Runout side B, variant 3): o P Q BL 30998-1A
- Matrix / Runout (Runout side C, variant 3): o P Q AL 30999-1A
- Matrix / Runout (Runout side D, variant 3): o P Q BL 30999-1A P
Other Versions (5 of 213)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Bitches Brew (2×LP, Album, Stereo, Santa Maria Pressing) | Columbia | GP 26 | US | 1970 | ||
|
Recently Edited
|
Bitches Brew (2×LP, Album) | CBS | S 66236, CBS S 66236 | Europe | 1970 | ||
|
Recently Edited
|
Bitches Brew (2×LP, Album, Repress, Santa Maria Press, Gatefold) | Columbia | GP 26 | US | 1970 | ||
|
New Submission
|
Bitches Brew (2×LP, Album) | CBS | S 66236 | 1970 | |||
|
Recently Edited
|
Bitches Brew (2×LP, Album, Gatefold) | Columbia | GP 26 | Canada | 1970 |
Recommendations
Reviews
-
I have this version. However, it has small stickers with CBS and their logo in black and gold background on the labels. The front page cover also has a sticker that has the CBS logo and SQ logo on top of the Columbia print.
-
Can anyone confirm or deny that there might be different versions of some or all tracks here compared to the normal stereo version? I'm currently playing MILES RUNS THE VOODOO DOWN from "The Full Spectrum of Quadraphonic Sound" sampler LP on Realistic/Columbia (1972), on my non-quadraphonic system, and detect considerably different echo & reverb trails on Mr. Davis's trumpet. I'm to assume the remix engineer took certain liberties on processing the instruments to best utilize the quadraphonic medium & in doing so made the mix sound quite different when played in a normal stereo setting? Any insight on this topic would be much appreciated as i'm extremely enjoying this new-to-me mix & think i'm needing a quad pressing of the whole album asap. -
Edited 2 years agoI am playing it in stereo only system. Holographic sound stage with pin point accuracy of instrument position and "living presence", easily one of the best audiophile vinyl in my collection.
-
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
38 copies from €14.96