The Rolling Stones – The Rolling Stones On Air
Label: |
BBC – 670 275-2 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Pop |
Style: |
Rock & Roll |
Tracklist
A1 | Come On | 2:00 | |
A2 | (I Can't Get No) Satisfaction | 3:45 | |
A3 | Roll Over Beethoven | 2:15 | |
A4 | The Spider And The Fly | 3:12 | |
A5 | Cops And Robbers | 3:43 | |
A6 | It's All Over Now | 3:16 | |
A7 | Route 66 | 2:30 | |
B1 | Memphis, Tennessee | 2:20 | |
B2 | Down The Road Apiece | 2:00 | |
B3 | The Last Time | 3:08 | |
B4 | Cry To Me | 3:05 | |
B5 | Mercy, Mercy | 2:52 | |
B6 | Oh! Baby (We Got A Good Thing Goin') | 1:47 | |
B7 | Around And Around | 2:44 | |
B8 | Hi Heel Sneakers | 1:54 | |
B9 | Fannie Mae | 2:11 | |
C1 | You Better Move On | 2:45 | |
C2 | Mona | 2:55 | |
C3 | I Wanna Be Your Man | 1:48 | |
C4 | Carol | 2:27 | |
C5 | I'm Moving On | 2:04 | |
C6 | If You Need Me | 1:59 | |
C7 | Walking The Dog | 2:56 | |
C8 | Confessin' The Blues | 2:24 | |
D1 | Everybody Needs Somebody To Love | 3:32 | |
D2 | Little By Little | 2:27 | |
D3 | Ain't That Loving You Baby | 1:52 | |
D4 | Beautiful Delilah | 2:06 | |
D5 | Crackin' Up | 2:13 | |
D6 | I Can't Be Satisfied | 2:28 | |
D7 | I Just Want To Make Love To You | 2:13 | |
D8 | 2120 South Michigan Avenue | 3:43 |
Companies, etc.
- Record Company – Universal International Music B.V.
- Phonographic Copyright ℗ – Promotone B.V.
- Phonographic Copyright ℗ – ABKCO Music And Records, Inc.
- Copyright © – Promotone B.V.
- Copyright © – ABKCO Music And Records, Inc.
- Licensed To – Polydor Records
- Licensed From – BBC Worldwide
- Mixed At – Abbey Road Studios
- Mastered At – Abbey Road Studios
- Designed At – Studio Fury
- Pressed By – GZ Media – 165024E
- Published By – Arc Music Corp.
- Published By – ABKCO Music, Inc.
- Published By – Jewel Music Publishing Co. Ltd.
- Published By – Chappell Morris Ltd.
- Published By – Edwin H. Morris & Co.
- Published By – Leeds Music Corp.
- Published By – Bert Russell Music LLC
- Published By – Downtown Music Publishing LLC
- Published By – Cotillion Music, Inc.
- Published By – Vonglow Music
- Published By – Nujac Publishing Co Inc.
- Published By – Jonware Music Corp.
- Published By – Longitude Music
- Published By – Olivia Pub. Co.
- Published By – Keva Music, Inc.
- Published By – Sony/ATV Music Publishing LLC
- Published By – Unichappell Music, Inc.
- Published By – East Publ. Inc.
- Published By – Fisher Music Corp.
- Published By – EMI Music Publishing Ltd.
- Published By – Robert Mellin Ltd.
- Published By – Mother Bertha Music, Inc.
- Published By – Southern Music Publishing Co. Inc.
- Published By – Conrad Music
- Published By – Tristan Music Ltd.
- Published By – Bug Music Ltd.
- Published By – BMG Bumblebee
- Published By – Hoochie Coochie Music
Credits
- Bass, Backing Vocals – Bill Wyman
- Cover [Cover Image] – Stringer (3)
- Drums – Charlie Watts
- Engineer – Paul Pritchard (2)
- Guitar, Backing Vocals – Keith Richards
- Guitar, Harmonica – Brian Jones (5)
- Liner Notes [Text] – Richard Havers
- Mastered By – Alex Wharton
- Mixed By [Demixing By] – James Clarke (4)
- Piano – Ian Stewart (tracks: B2, D1)
- Vocals, Harmonica – Mick Jagger
Notes
Made in the Czech Republic
Includes printed colored inner sleeves with track list, credits and notes.
Licence from BBC Worldwide. © BBC 1996.
Orange cover with yellow lettering
Hype Sticker:
'The Rolling Stones as you've
never heard them before:
LIVE FROM THE BBC
Includes Double 180g Vinyl
& Card'
670 275-2
A1-A3, B1, B4, B6, B8-B9, C3-C4, C7, D4, D7 Recorded for Saturday Club
A4, B5 Recorded for Yeah Yeah
A5, A7, C1-C2 Recorded for Blues In Rhythm
A6, C5-C6, C8, D2 Recorded for The Joe Loss Pop Show
B2-B3, B7, D1, D5-D6 Recorded for Top Gear
D3, D8 Recorded for Rhythm And Blues (BBC World Service)
Includes printed colored inner sleeves with track list, credits and notes.
Licence from BBC Worldwide. © BBC 1996.
Orange cover with yellow lettering
Hype Sticker:
'The Rolling Stones as you've
never heard them before:
LIVE FROM THE BBC
Includes Double 180g Vinyl
& Card'
670 275-2
A1-A3, B1, B4, B6, B8-B9, C3-C4, C7, D4, D7 Recorded for Saturday Club
A4, B5 Recorded for Yeah Yeah
A5, A7, C1-C2 Recorded for Blues In Rhythm
A6, C5-C6, C8, D2 Recorded for The Joe Loss Pop Show
B2-B3, B7, D1, D5-D6 Recorded for Top Gear
D3, D8 Recorded for Rhythm And Blues (BBC World Service)
Barcode and Other Identifiers
- Barcode (Text): 00602557958287
- Barcode (Scanned): 602557958287
- Label Code: LC22670
- Matrix / Runout (Runout side A, stamped (variant 1)): 5795829-A 165024E1/A
- Matrix / Runout (Runout side B, stamped (variant 1)): 5795829-B 165024E2/A
- Matrix / Runout (Runout side C, stamped (variant 1)): 5795830-A 165024E3/A
- Matrix / Runout (Runout side D, stamped (variant 1)): 5795830-B 165024E4/A
- Matrix / Runout (Runout side A, stamped (variant 2)): 5795829-A 165024E1/A1
- Matrix / Runout (Runout side B, stamped (variant 2)): 5795829-B 165024E2/A2
- Matrix / Runout (Runout side C, stamped (variant 2)): 5795830-A 165024E3/A
- Matrix / Runout (Runout side D, stamped (variant 2)): 5795830-B 165024E4/A1
- Rights Society: BIEM/SDRM
Other Versions (5 of 21)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
The Rolling Stones On Air (2×LP, Limited Edition, Yellow) | BBC | 670 275-2 | Europe | 2017 | ||
New Submission
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The Rolling Stones On Air (CD, ) | BBC | 579 582-5 | Europe | 2017 | ||
New Submission
|
The Rolling Stones On Air (2×CD, Deluxe Edition, Gatefold) | Rolling Stones Records | 670 274-0 | UK, Europe & US | 2017 | ||
Recently Edited
|
The Rolling Stones On Air (2×CD, Limited Edition, SHMCD,Digipak) | Rolling Stones Records | UICY-78515/6 | Japan | 2017 | ||
New Submission
|
The Rolling Stones On Air (2×CD, Deluxe Edition, Digipak) | Rolling Stones Records | 6702740 | Canada | 2017 |
Recommendations
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2018 WorldwideLP, Album, Reissue, Remastered, Stereo
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2020 Europe10", 45 RPM, Single Sided, Single, Limited Edition, Stereo
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2017 WorldwideLP, Album, Reissue, Special Edition, Stereo
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Reviews
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This should have been a classic release. BBC sessions are always great and this is no exception. The only real problem is the fake stereo! Why just why to record companies do this??? The fake stereo sounds fucking awful. Put it in mono when you play it and you’ll be so much happier, promise!!
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Crank back the Rock Clock to '63 until '65 and you have some all "LIVE" Stones music recorded at the BBC...No stadium noise, just the straight forward Stones music pumping on all thirty-two cuts on this double VINYL package...Want early roots of the band? You got it all right here in a clean audio sound format...And they even throw up some stuff you would not think they would play like Bobby Troup's "Route 66"...Lay back and set these two LP's on your TT...Enjoy!
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Definitely an amazing album documenting early live Stones. Impressed with Blue & Lonesome and Hackney Diamonds, I've been playing my Stones albums in chronological order. Nothing older than these radio broadcasts from the beginning.n
Bought from Sound of Vinyl for $11 shipping. Great sounding album. Flat, quiet, balanced.
A good addition to any Rolling Stones collection. -
Surprised I was by last year’s release by The Rolling Stones, a return to their roots with the album Blue & Lonesome, and since they’ve never a band who was shy to capitalize on anything left over, even from the cutting room floor, here we are, presented with On Air, revealing a look at the band through their 1960’s BBC radio sessions.
All of the material is early, recorded between 1963 and 1965, at the height of Rolling Stone and Beatle-mania, just before the world was ushered into the realm of Sgt. Pepper, and all that would follow, meaning that what you’re getting in this package is a taste of The Rolling Stones at their blues and cover song best. While looking back, it’s makes me sad that television appearances were never considered as historically significant in any manner, to be broadcast once or twice, with the tape then being recorded over and used again, thus so much of the visuals from those heydays was lost for all time … but still, the BBC shows such as Top Gear, The Saturday Club and others remained as part of the BBC library, after all the BBC saves everything, and now we have a chance to listen back to some of the sounds that sparked the fires.
Most notable is that we’re provided with a glimpse into what The Stones sounded like live, after all, while the television shows allowed for lip-syncing, live radio did not, and it’s all delivered without the screaming audience, with several of the tracks recorded mere days before The Stones embarked on their first tour. Yet this wasn’t a one off deal, with The Stones recording over a two year time span, so one gets to hear them develop a style and presentation that would define who The Rolling Stones were for all time. What’s particularly perplexing to me is that there is no sequential order to what’s been laid down here, and it would certainly have been more significant to hear a linear timeline of chords, vocals, harmonies and guitars develop and change over those years.
I still haven’t made up my mind as to whether the process of audio source separation, which involves the un-mixing or de-mixing of the original transcript to give greater depth and balance by enhancing and rebuilding the tapes to give a more clean defined and substantial quality to their sound … perhaps some things should be left as they were and heard within that context, though this presentation undoubtedly delivers a more sonically fueled atmosphere.
Oddly enough, there are two versions of this outing, one containing 32 tracks, while the other a mere 18, though you will be treated to at least eight songs that The Stones never committed to record, and those are a delight.
Both The Beatles and The Rolling Stones had their beginnings, beginnings that are really not that significant for the most part, while The Beatles came into their own with Rubber Soul, it was the album Aftermath that stepped The Stones into their formal place in history, so, the cover material you’re getting here was certainly done better by others, yet there are some delicious defining moments that make this collection worth your while.
Review by Jenell Kesler
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