Tracklist
A1 | Bomba (DJ Ricci Techno-España Mix) | 4:06 | |
A2 | Bomba (DJ Ricci Hi-Nuclear Mix) | 4:44 | |
B1 | Bomba (Las Guerras Mix) | 5:08 | |
B2 | Bomba (Acappella) | 2:30 |
Credits
- Artwork [Computer Art] – Mac (40)
- Artwork [Cover Concept] – R. Persi*
- Producer – Ricky Persi*
- Programmed [Computer] By, Synthesizer, Effects – Dr. Rizzatti*
- Vocals – Alex Quiroz Ramirez*
Notes
Synthesizers, computer programming & sound
effects by Dr. Rizzatti at Scientific Studio.
Cover by R. Persi. Computer art by Mac at Giotto Enterprise
effects by Dr. Rizzatti at Scientific Studio.
Cover by R. Persi. Computer art by Mac at Giotto Enterprise
Barcode and Other Identifiers
- Barcode: 8 014360 030845
Other Versions (5 of 25)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Bomba (Remix) (12", 45 RPM, Maxi-Single) | ZYX Music | ZYX 7309R-12 | UK | 1994 | ||
Recently Edited
|
Bomba Rmx (12", 33 ⅓ RPM, 45 RPM) | DFC | DFC 226 | Italy | 1994 | ||
Bomba (CD, Maxi-Single) | Flex Records (2) | FRCDM 8 | Denmark | 1994 | |||
Recently Edited
|
Bomba (CD, Maxi-Single) | Overdance! | ORA 2039-2 | 1994 | |||
Recently Edited
|
Bomba (CD, Maxi-Single) | Red Bullet | ADS 2000.979, RB 8.264 | Netherlands | 1994 |
Recommendations
Reviews
-
The main "Techno-Espana" mix is what you expect - in that it sounds like "Terapia" with a different shouty Spanish vocal and a couple of notes changed in the hoovers. Still good fun, just not that memorable.
But that doesn't matter, because the real bomb (sorry) on here is the "Hi Nuclear" mix. Kicking off with an epic piano intro that builds beautifully for the first minute, before giving way to the hardcore, with a simple but relentless hoover and a tastefully distorted kick. The pianos return in the middle in a more lively arrangement for a proper hands in the air breakdown, before switching back to the hardcore.
The epic intro makes it a perfect set opener - as demonstrated by Carl Cox on his classic set from Rezerection Event 2 (where I first heard it). It does also seem to be entirely unconnected to the "main" mix, without any of the trademark vocals - I'm sure most people hearing it would have no idea it was a Ramirez track. Instead it becomes one of many tunes from that time, that you might not know by name, but remain familiar classics regardless.
It is a little on the slow side - does sound better on plus 8. Regardless it's still one of my favourite "hidden" classics from 1994!
Release
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