The Rolling StonesAftermath

Genre:

Blues

Style:

Rhythm & Blues

Year:

Tracklist

Mothers Little Helper 2:40
Stupid Girl 2:52
Lady Jane 3:06
Under My Thumb 3:20
Doncha Bother Me 2:35
Goin' Home 11:35
Flight 505 3:25
High And Dry 2:52
Out Of Time 5:15
It's Not Easy 2:35
I Am Waiting 3:10
Take It Or Leave It 2:47
Think 3:10
What To Do 2:30

Credits (16)

Notes

Aftermath is the fourth British and sixth American studio album by the English rock band the Decca.
It was issued in the United States in June 1966 by London Records as the group's sixth American album. The album is considered an artistic breakthrough for the band: it is the first to consist entirely of Mick Jagger–Keith Richards compositions, while Brian Jones played a variety of instruments not usually associated with their music, including sitar, Appalachian dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues. It was the first Rolling Stones album to be recorded entirely in the US, at the RCA Studios in California, and their first album released in true stereo. It is also one of the earliest rock albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to eclipse the 10-minute mark ("Goin' Home").

In August 2002 both editions of Aftermath were reissued in a new remastered CD and SACD digipak by ABKCO Records, with the UK version containing an otherwise unavailable stereo mix of "Mother's Little Helper". In the same year the US edition of Aftermath was ranked No. 109 on the List of Rolling Stone's 500 Greatest Albums of All Time. The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.

Versions

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    436 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Stereo
    Decca – SKL. 4786 UK 1966 UK1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Stereo
    London Records – PS 476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966-04-15, Vinyl Aftermath
    LP, Album, Mono
    Decca – LK.4786 UK & Europe 1966 UK & Europe1966
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL 3476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL-3476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Stereo
    Decca – SKL 4786 Netherlands 1966 Netherlands1966
    Recently Edited
    Cover of Aftermath, 1966-06-20, Vinyl Aftermath
    LP, Album, Stereo, Bestway Pressing
    London Records – PS-476 US 1966 US1966
    Recently Edited
    Cover of After-Math, 1966, Vinyl After-Math
    LP, Album, Stereo
    Decca – SLK 16415-P 1966 1966
    Recently Edited
    Cover of After-Math, 1966, Vinyl After-Math
    LP, Album, Mono
    Disques Decca – 158.021 1966 1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL 3476 US 1966 US1966
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LLN-7118 Brazil 1966 Brazil1966
    New Submission
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Stereo
    Decca – SKL. 4786 UK 1966 UK1966
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Stereo, Gloversville Pressing
    London Records – PS 476 US 1966 US1966
    New Submission
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL 3476 Uruguay 1966 Uruguay1966
    New Submission
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Mono, Bestway Pressing
    London Records – LL-3476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    Decca – LK 4786 Netherlands 1966 Netherlands1966
    Cover of After-Math, 1966, Vinyl After-Math
    LP, Album, Stereo, Promo
    Decca – SLK 16415-P 1966 1966
    New Submission
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL 3476 Canada 1966 Canada1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    Decca – LK.4786 UK 1966 UK1966
    Cover of Vol. 5 Aftermath, 1966, Vinyl Vol. 5 Aftermath
    LP, Album, Stereo, Golden Obi, Gatefold
    London Records – SLH-51 Japan 1966 Japan1966
    Recently Edited
    Cover of After-Math, 1966, Vinyl After-Math
    LP, Album, Stereo
    Decca – SLK 16415-P 1966 1966
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    PAX – ISK 1016 Israel 1966 Israel1966
    Needs Changes
    Cover of Aftermath, 1966-07-02, Vinyl Aftermath
    LP, Album, Mono, Allentown Press
    London Records – LL3476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL 3476 US 1966 US1966
    New Submission
    Cover of After-Math, 1966-04-15, Vinyl After-Math
    LP, Album, Mono
    Decca – LK·4786 South Africa 1966 South Africa1966
    Cover of Aftermath, 1966-04-15, Vinyl Aftermath
    LP, Album, Stereo
    London Records – PS 476 US 1966 US1966
    New Submission
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Stereo
    Decca – SKL. 4786 UK & Europe 1966 UK & Europe1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    Decca – LK-I 4786 Italy 1966 Italy1966
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    London Records – LL 3476 US 1966 US1966
    New Submission
    Cover of Consecuencias, 1966, Vinyl Consecuencias
    LP, Album, Mono
    London Records – LLM-17274 Argentina 1966 Argentina1966
    New Submission
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Stereo
    Decca – SKLM.4786 New Zealand 1966 New Zealand1966
    New Submission
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Mono
    Decca – LKA-4786 Australia 1966 Australia1966
    New Submission
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono
    Decca – LKM 4786 New Zealand 1966 New Zealand1966
    New Submission
    Cover of Aftermath, 1966-04-15, Vinyl Aftermath
    LP, Album, Mono
    Decca – LK.4786 UK 1966 UK1966
    Recently Edited
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Stereo, Mercury Pressing
    London Records – PS 476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono, No Date On Label
    Decca – LK.4786 UK 1966 UK1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Mono, Monarch Pressing
    London Records – LL-3476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966-07-00, Vinyl Aftermath
    LP, Album, Stereo, Monarch Press
    London Records – PS-476 US 1966 US1966
    Recently Edited
    Cover of Aftermath, 1966, Vinyl Aftermath
    LP, Album, Stereo
    Decca – SKL.4786 UK 1966 UK1966
    New Submission
    Cover of Aftermath, 1966-04-00, Vinyl Aftermath
    LP, Album, Mono
    Decca – LK. 4786 UK 1966 UK1966
    Recently Edited

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    Reviews

    • greg1947's avatar
      greg1947
      I have a copy of this album which is the same in nearly all aspects to this entry, except the the labels are red. The cover appears to be the same without the black border around the blurb and track listing on the back. The runout has 1W (?) after the XZAL 7209/7210. The writing around the labels, ie "Original Recording....." and "Made in Australia by....", etc are in a smaller font. The boxed Decca on the labels doesn't have Reg'd beneath it. There is no date of issue anywhere to be seen. Is this another variant?
      • Fabrice.e's avatar
        Fabrice.e
        File Name | Format | SR | Word Length | Max. TPL | LUFSi | DR (PMF) |

        01-01 Paint It Black | .aiff | 44.1k | 16 | -1.03 | -15.53 | 11 |
        01-02 Stupid Girl | .aiff | 44.1k | 16 | -1.33 | -15.78 | 12 |
        01-03 Lady Jane | .aiff | 44.1k | 16 | -4.25 | -22.21 | 13 |
        01-04 Under My Thumb | .aiff | 44.1k | 16 | -1.88 | -17.35 | 13 |
        01-05 Doncha Bother Me | .aiff | 44.1k | 16 | -1.28 | -15.72 | 12 |
        01-06 Think | .aiff | 44.1k | 16 | -1.20 | -16.37 | 13 |
        01-07 Flight 505 | .aiff | 44.1k | 16 | -0.85 | -14.96 | 12 |
        01-08 High and Dry | .aiff | 44.1k | 16 | -1.37 | -16.81 | 12 |
        01-09 It's Not Easy | .aiff | 44.1k | 16 | -0.88 | -14.94 | 12 |
        01-10 I Am Waiting | .aiff | 44.1k | 16 | -1.23 | -19.44 | 13 |
        01-11 Going Home | .aiff | 44.1k | 16 | -0.26 | -18.27 | 15 |

        Number of EP/Album Files: 11
        Official EP/Album DR: 13
        • Fabrice.e's avatar
          Fabrice.e
          File Name | Format | SR | Word Length | Max. TPL | LUFSi | DR (PMF) |

          01-01 Mother's Little Helper | .aiff | 44.1k | 16 | -4.44 | -17.77 | 12 |
          01-02 Stupid Girl | .aiff | 44.1k | 16 | -4.96 | -19.39 | 12 |
          01-03 Lady Jane | .aiff | 44.1k | 16 | -7.36 | -25.75 | 12 |
          01-04 Under My Thumb | .aiff | 44.1k | 16 | -5.57 | -21.64 | 13 |
          01-05 Doncha Bother Me | .aiff | 44.1k | 16 | -5.63 | -20.52 | 12 |
          01-06 Going Home | .aiff | 44.1k | 16 | -3.51 | -21.06 | 15 |
          01-07 Flight 505 | .aiff | 44.1k | 16 | -4.50 | -18.05 | 12 |
          01-08 High And Dry | .aiff | 44.1k | 16 | -6.45 | -22.41 | 11 |
          01-09 Out Of Time | .aiff | 44.1k | 16 | -6.38 | -20.56 | 12 |
          01-10 It's Not Easy | .aiff | 44.1k | 16 | -5.61 | -19.92 | 12 |
          01-11 I Am Waiting | .aiff | 44.1k | 16 | -4.35 | -23.56 | 13 |
          01-12 Take It Or Leave It | .aiff | 44.1k | 16 | -5.60 | -23.51 | 12 |
          01-13 Think | .aiff | 44.1k | 16 | -5.94 | -21.59 | 12 |
          01-14 What To Do | .aiff | 44.1k | 16 | -5.60 | -19.80 | 12 |

          Number of EP/Album Files: 14
          Official EP/Album DR: 12
          • cojansen7's avatar
            cojansen7
            I thought this was a remake of the original first UK stereo releases. The label looks like the mono label in blue. Between The Buttons (UK) released 2023 has the stereo label as I know it. Am I missing something?
            • mrjohnson281's avatar
              mrjohnson281
              My copy best matches this description, however my runout has the etching "ARL-7259-171" or perhaps the 171 is actually 1H, very hard to tell as its handwritten.
              • kevin67's avatar
                kevin67
                These sacd’s of the Stones are great. The sound on them is superb. Pick up these when you find them.
                • pgross's avatar
                  pgross
                  A good mastering and pressing . The sub bass is noticable here especially paint it black . Overall a good buy for the US version of Aftermath . Most of the ABKCO Digitally Remastered 80s and 90s are worth to get . Black translucent black vinyl which may be from JVC or Quiex pressings .
                  • andriuu's avatar
                    andriuu
                    Pitch a little off but very nice mono copy! end.
                    • jeffaniolek's avatar
                      jeffaniolek
                      I have variant 3 and this one sounds very good and clear and vibrant. I don’t have a UK OG to compare it to but like it better than the UK ABKCO stereo as it sounds a bit fresher. Cut a lot hotter than the recent US ABKCO Stereo . I know the length of the album has something to do with the lack of umph. This is my stereo favorite.
                      • McHomie's avatar
                        McHomie
                        Even in its bastardized American form, AFTERMATH is a classic album. This 1966 mono US pressing boasts a full bodied soundstage with plenty of low end and good clarity to the instrumentation. My copy plays nice and clean with occasional light surface noise.

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