Planet PatrolPlanet Rock

Genre:

Hip Hop

Style:

Electro

Year:

Tracklist

Planet Rock (Vocal) 6:25
Bonus Beats I 1:15
Planet Rock (Instrumental) 9:16

Credits (9)

Notes

NOTE: Planet Patrol performs the music on this (the same 24 track tape was used to make both Planet Rock and Planet Patrol - Play At Your Own Risk). The "Music By" credit is NOT a written-by type credit but is instead a performer credit for their musical performance on the track.

Versions

Filter by
    102 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Baby Blue Labels
    Tommy Boy – TB 823 US 1982 US1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 45 RPM, Silver Label
    21 Records – 2002173 UK 1982 UK1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM
    Tommy Boy – 0930.087 1982 1982
    Recently Edited
    Planet Rock
    7", 45 RPM
    Tommy Boy – TB 823-7 US 1982 US1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM
    21 Records – 2141 610 UK 1982 UK1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12"
    21 Records – 2.106 Netherlands 1982 Netherlands1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM, Stereo
    Polydor – TIX-2101 Canada 1982 Canada1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Orange Labels
    Tommy Boy – TB 823 US 1982 US1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", Single, 45 RPM, Orange Labels
    Tommy Boy – TB 823 US 1982 US1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7"
    Polydor – 2002173 1982 1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM, Stereo
    Polydor – 2141 610 Italy 1982 Italy1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 45 RPM, Single
    21 Records – 21.006 Netherlands 1982 Netherlands1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 45 RPM
    Tommy Boy – TB 823 US 1982 US1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Promo, Stereo
    Tommy Boy – TB 823 US 1982 US1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", Single, 45 RPM
    Metronome – 0030.574 1982 1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", Maxi-Single, 45 RPM
    21 Records – 21 41 610 Spain 1982 Spain1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM, Stereo
    Metronome – 0930.087 1982 1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Green Labels
    Tommy Boy – TB 823 US 1982 US1982
    Recently Edited
    Planet Rock
    12", Single Sided, White Label
    Not On Label – FROG 1 UK 1982 UK1982
    Recently Edited
    Cover of Planet Rock, 1982-08-00, Vinyl Planet Rock
    12", 45 RPM, Single, Stereo
    Polydor – 2141 610 UK 1982 UK1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", Single, 45 RPM, Promo
    Tommy Boy – TB 823 US 1982 US1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 33 ⅓ RPM, Single, Stereo
    Ariola – 2002 173 Brazil 1982 Brazil1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Orange Labels
    Tommy Boy – TB 823 US 1982 US1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 45 RPM, Single
    Polydor – T1-2101 Canada 1982 Canada1982
    Recently Edited
    Cover of Planet Rock, 1982-08-00, Vinyl Planet Rock
    7", 45 RPM, Single, Blue Injection Moulded Label
    21 Records – 2002173 UK 1982 UK1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 45 RPM
    Polydor – 2002 173 Italy 1982 Italy1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Orange Labels
    Tommy Boy – TB 823 US 1982 US1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Blue Green Labels
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM, Promo, Stereo
    Polydor – 2812 156 1982 1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Green Labels
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Planet Rock
    12", 33 ⅓ RPM, Blue 7" labels
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    7", 45 RPM, Orange Labels
    Tommy Boy – TB 823 US 1982 US1982
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Green Labels
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Blue Labels
    Tommy Boy – TB 823 US 1982 US1982
    Recently Edited
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, A =Green/ B =Brown Labels
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 45 RPM, Single, Stereo
    Polydor – 75000-11 Ecuador 1982 Ecuador1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Hyphen Number
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Cover of Planet Rock, 1982, Vinyl Planet Rock
    12", 33 ⅓ RPM, Baby Blue Labels
    Tommy Boy – TB 823 US 1982 US1982
    New Submission
    Cover of Planet Rock, 1983, Vinyl Planet Rock
    12", Maxi-Single, 45 RPM
    Polydor – 2141 610 1983 1983
    Recently Edited
    Cover of Planet Rock, 1983, Vinyl Planet Rock
    7", 45 RPM, Single
    21 Records – 20 02 173 Spain 1983 Spain1983
    New Submission

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    Reviews

    • Forward_12_12's avatar
      Forward_12_12
      Plays great. 7" in Mint condition. Sleeve is OK. Classic
      • AlwaysJustintime1969's avatar
        I the first time I heard this was at a New Years Party in 1981. I wouldn't hear the song again for another 15-20 years. Was as great as when I first heard it...
        • Ericdavidspear's avatar
          Ericdavidspear
          Litman & Cox Club Mix is an amazing remix of this classic song, must listen!
          • HipHopFan73
            The most influential hip hop track of all time. I could go deep into history, but I'd rather take the time to organize more of my music collection.
            • mheola1981's avatar
              mheola1981
              The House Remix is a fat garage tune, somewhere between classic 4/4 UKG and speedgarage.
              • REENO's avatar
                REENO
                Just to add, in this case, "Music by PLANET PATROL" simply means "All music by John Robie".
                • groovefactory's avatar
                  groovefactory
                  Edited 4 years ago
                  Boston is the first city mentioned in the city role call, hommage to Arthur Baker's hometown.
                  • cbgb74's avatar
                    cbgb74
                    Edited 5 years ago
                    ...why is this version stated a first pressing and not the version with the C and P? like the TB812 jazzy's sensation has also the C and P and why is the lack of SSF of side B credit a sign of an earlier version? can everybody confirm this note on this submission...? THX
                    • Alain_Patrick's avatar
                      Alain_Patrick
                      Edited 5 years ago
                      Arthur Baker: "Basically, no one at that time had an 808. This is a true story: we saw an ad in the Village Voice that said, "Man with drum machine, 20 dollars a session." [laughs]
                      So we called him up and said, "Come on in." The programmer of the drum machine had no idea what the fuck we were doing. "You want me to do what?" We played him Kraftwerk, and we showed him what to program. It was all through a Neve, which is an amazing [mixing] board. We went in there: me, Bam and John Robie.
                      John had a Micromoog and a Prophet-5. This was the first time we'd got to use a polyphonic synth, because I was always using the Moogs. Strangely enough, there was also a Fairlight there. You can probably do what the Fairlight did on a $1,000 computer now. Back then, the Fairlight was probably worth over $100,000 or more. It was taking up a lot of space, but it had a few sounds in it, one being this sort of explosion sound, which we used in the break, and the orchestra, the infamous orchestra.
                      We wanted to make a record that people into Talking Heads and people into Sugar Hill Gang would play."

                      John Robie: “ Sorry but this MUST be said.
                      Planet Rock was to Hip Hop, what Roll Over Beethoven was to Rock.
                      You can argue till the cows come home about who invented Hip Hop but it is indisputable that Planet Rock laid the foundation for the explosion of Hip Hop as a musical and cultural phenomenon.
                      It created a sound that has been imitated for nearly 40 years.
                      It opened the door for RUN DMC and the Beasties.
                      It has been sampled hundreds of times (legally... who knows how many times otherwise), it has been and continues to be (along with Perfect Beat) licensed for use in countless movies and TV shows.
                      It squarely put the 808 on the map.
                      I could go on.
                      Yet Soul Sonic Force has never even been considered for nomination.
                      With Bam’s problems, that will of course never happen but even prior to that, the group (which is for all intents and purposes an entity unto itself) was never even considered.
                      Please know that this isn’t about me.
                      I’m not the one who would be nominated so it doesn’t apply.
                      But Biggs is still my brother and it pisses me off no end that arguably the most influential group in Hip Hop history..... the one that opened the floodgates...... the first to set the stage for the marriage of electronic music and rap..... the group that made THE most iconic record of the genre, has been ed over.
                      Maybe if they made a record with Aerosmith they would’ve slipped in.
                      But here we are.”
                      • tranzyd's avatar
                        tranzyd
                        Superb sounding pressing on 12" - Nice and loud and plenty pf bass as it is cut on 12"

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                        • Ratings:2498

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