Tracklist
Textuell | 7:53 | ||
Aero Deck | 4:33 | ||
The Politics Of Digital Audio | 5:21 | ||
Schöner Wissen | 5:19 | ||
Catchy DAAD | 6:14 | ||
Mediaton | 4:22 | ||
Tonregie | 5:05 | ||
Oval Office | 5:08 | ||
Compact Disc | 6:35 | ||
Post-Post | 4:51 | ||
Gabba Nation | 5:04 |
Credits (3)
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Frank MetzgerMusician [Oval]
- Markus PoppMusician [Oval]
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Sebastian OschatzMusician [Oval]
Versions
Filter by
9 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Systemisch
CD, Album
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Mille Plateaux – MP CD 9 | 1994 | — 1994 |
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Systemisch
2×LP, Album
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EFA – EFA 00659-6 | 1994 | — 1994 |
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Systemisch
2×LP, Album, White Label
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Mille Plateaux – none | 1994 | — 1994 |
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Systemisch
2×LP, Album, Limited Edition, White
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EFA – EFA 00659-6 | 1994 | — 1994 |
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Systemisch
CD, Album
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Thrill Jockey – thrill 032 | US | 1996 | US — 1996 |
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Systemisch
2×LP, Album, Clear
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Thrill Jockey – thrill 032 | US | 1996 | US — 1996 |
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Systemisch
Cassette, Album
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Sound Improvement – Si17 09.2000 | Poland | 2000 | Poland — 2000 |
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Systemisch
2×LP, Album, Record Store Day, Repress, Clear blue
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Thrill Jockey – thrill 032 | Europe | 2013 | Europe — 2013 |
New Submission
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Systemisch
11×File, MP3, Album, Reissue, 320 kbps
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Not On Label (Oval Self-released) – none | 2013 | — 2013 |
New Submission
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Recommendations
Reviews
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referencing Systemisch (2×LP, Album, Clear) thrill 032
how is the sound quality?, please could you let me know. -
Maybe I understand the concept of the glitch sound. But this vinyl irritates me. It's sounds like my player or needle is broken or the vinyl itself.
Ambient? Not really imo. -
My copy is a very noisy pressing on all 4 sides. One can always get past it and / or make it part of the listening experience in this glitch masterpiece, but the background hissing and campfire crackling is pretty obnoxious.
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referencing Systemisch (2×LP, Album, Clear) thrill 032
i n m y t o p 1 0 L P s e v e r n o q u e s t i o n -
Edited 19 years ago
referencing Systemisch (CD, Album) thrill 032
The problem with the German language (and its philosophical tradition... I'm looking at you, Immanuel Kant) is that it's too easy to wax philosophical about art and to make more complicated what can be described as base instinct. Oval's "manifesto" can be summed up in the following way: "We experiment computers and technology in creating sound and we are going to publish what we like."
In spite of what I just said, what's ultimately appealing about Oval is both the means and the ends of technological experimentation. This album reflects an interest in taking what we would normally consider a "defect" (CD skipping, faulty wiring in the speakers, etc.) and turn it into something musical. In a way, they are a continuation of the musique concrete school of Varese but now it's Macintosh computers instead of reel-to-reel tape machines.
Regardless of Oval calls it, there is something musical about the end results and it's something that I think is forgotten right about the time we hit Ovalcommers. It is sonically harsh at times but not abrasive (like the aforementioned later release). In fact, if you listen to it enough times, you may not react so violent the next time your favourite CD skips. (I've even made a joke of it: every instance of a CD skip, I call it the "Oval remix"). Plus there are interesting appearances of Oval from the obscure (Julien Donkey-Boy) to the bizarre (a male cologne commercial).
So while you may dismiss their "manifesto" as philosophical wankery and the music as mere technological wankery, there is something to it that you can't help but be entranced, or at least aware of different possibilities of hearing and perceiving music.
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