YesLive At The Rainbow London, England 12/16/1972

レーベル:

Rhino Records (2) – 603497819140

フォーマット:

2 x レコード , LP
レコード , LP, Single Sided, Etched
すべてのメディア , Record Store Day, Limited Edition, Reissue, Stereo

:

US

リリース済み:

ジャンル:

Rock

スタイル:

Prog Rock

収録曲

A1 Siberian Khatru
Music By [Themes By]Howe*
Written-ByAnderson*
9:01
I've Seen All Good People (7:09)
A2a Your Move
Written-ByAnderson*
A2b All Good People
Written-BySquire*
B1 Heart Of The Sunrise
Written-ByAnderson*
11:11
And You And I
Music By [Themes By]Howe*
Written-ByAnderson*
(9:29)
B2a Cord Of Life
B2b Eclipse
Written-ByBruford*
B2c The Preacher The Teacher
B2d Apocalypse
Close To The Edge
Written-ByHowe*
(17:18)
C1a The Solid Change Of Time
C1b Total Mass Retain
C1c I Get Up I Get Down
C1d Seasons Of Man
D1 Excerpts From "The Six Wives Of Henry VIII"
Written-ByWakeman*
6:31
D2 Roundabout
Written-ByHowe*
8:10
E1 Yours Is No Disgrace
Written-ByKaye*
11:36
Starship Trooper (9:53)
E2a Life Seeker
Written-ByAnderson*
E2b Disillusion
Written-BySquire*
E2c Würm
Written-ByHowe*

会社名など

  • レコード会社Warner Music Group
  • 音源著作権℗Rhino Entertainment Company
  • 著作権©Rhino Entertainment Company
  • 製造委託元Rhino Entertainment Company
  • 販売促進Rhino Entertainment Company
  • マスタリングBernie Grundman Mastering
  • マスタリングGZ Media – 292737E
  • プレスMemphis Record Pressing – MRP6474
  • 録音Rainbow Theatre London

クレジット

  • Art DirectionRory Wilson
  • Bass, VocalsChris Squire
  • Design [Package Design]Yusuke Tsukamoto
  • Guitar, VocalsSteve Howe
  • Image Editor [Photo Editor]Amelia Halverson
  • KeyboardsRick Wakeman
  • Mastered ByBernie Grundman
  • PercussionAlan White
  • Photography By [Photos]Didi Zill
  • Product ManagerMimi Gontar
  • Product Manager [Packaging Manager]Andrew Campbell (25)
  • Project Manager [Project Assistance]Sheryl Farber
  • Reissue Producer [This Reissue Produced For Release By]Steve Woolard
  • VocalsJon Anderson

ノート

Record Store Day 2025 "RSD Exclusive" release, limited to 3500 copies.

Record is housed in a wide-spine single cover with plain white paper inner sleeves.

Side F is an etching.

Runouts machine etched; 02148xxx laser etched; #y hand etched; Side F hand etched near outer edge.

Mastered at Bernie Grundman Mastering, Los Angeles, CA
℗ & © Rhino Entertainment Company
Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company
Made in U.S.A.

バーコードとその他の識別子

  • バーコード (Text): 6 03497 81914 0
  • Matrix / Runout (Side A runout): MRP6474 / 603497819140-A #2 02148124 292737E1/B
  • Matrix / Runout (Side B runout): MRP6474 / 603497819140-B #1 292737E2/A
  • Matrix / Runout (Side C runout): MRP6474 / 603497819140-C #5 292737E3/A
  • Matrix / Runout (Side D runout): MRP6474 / 603497819140-D #5 292737E4/A 02148062
  • Matrix / Runout (Side E runout): MRP6474 / 603497819140-E 292737E5/A 02148125
  • Matrix / Runout (Side F runout): 292737E6

他のバージョン(1件)

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タイトル (フォーマット) レーベル カタログ #
最近編集された
Live At The Rainbow London, England 12/16/1972 (2×LP, Reissue, Stereo, LP, Single Sided, Etched, Reissue, Stereo, All Media, Record Store Day, Limited Edition, Stereo) Rhino Records (2) R1 727316, 603497819140 Worldwide 2025

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レビュー

  • guilalaさんのアバター
    guilala
    my copy is totally clean and plays fantastic right out of the sleeve, which is surprising for anything from any GZ facility. the discs all have a very slight warp, but nothing that even remotely affects the play. im guessing this is something that happend in transit and probably not from careless manufacture.

    the sound is fantastic, in my opinion. this sounds like a clean soundboard of Yes from the early 70s, and it rocks hard. sound is comparable to the original Yessongs 3LP, and i always liked the "as it happened and in your face" quality of that one. the only thing that i could get nit-picky about is the lack of depth in the original recording. but it seems that every professionally recorded Yes concert from this era has that quality to it. i would chalk it up to Chris Squire's actual bass sound as he always played with a midrange heavy sound to feature his "lead bass" technique/style, and that would automatically take some ass-end out of the overall sound. that, and whatever Eddie Offord had to do in the live mix to compensate for the actual room sound will affect how it went to tape. a good sound engineer will mix only for the room, and not even consider how it may go to tape, as the room sound is critical. the recorded results are not. actual recorded results are the job of remote engineers who are actually there to get a good recording. and Eddie Offord was one of the best.

    some might complain about the occasional tape glitch/drop out, but im a "warts and all" kind of guy. these are 50+ year old source tapes that im sure were not stored in ideal conditions. its a miracle that they survived as well as they did, and im glad to finally hear a great sounding complete recording of this show, without some modern day engineer attempting to "fix" anything that they perceived as "wrong" with what they had to work with.

    i love it, and i hope theres more lurking in the vaults; specifically Rotterdam and Frankfurt from 1977. "Yesshows" may be an amazing document, but the frustration of knowing those 2 shows from the GFTO tour were professionally recorded and have been languishing in a closet or a basement somewhere is maddening. at least most of the Cobo Hall show from 76 has been released in some form, but i would love to get a complete version of that as well!!
    • bvouroniさんのアバター
      bvouroni
      Is BG in the dead wax???????????????????????? words words words words
      • photoevangelistさんのアバター
        photoevangelist
        4 stars because of the price and audio drop off. Heart of the Sunrise is my absolute favorite song and can’t get enough of the different recordings so it’s a no brainer for me to pick this up. However the Wakeman solo for me was a real treat! I have a poor quality audience recording of a different show with the jingle bells medley so it was a nice surprise on this higher quality recording. If I’m dropping $70 on a three disc I’d like a trifold too. Maybe not a release for everyone but a must for the hardcore fans
        • Notasa54さんのアバター
          Notasa54
          1か月前に編集されました
          Bon. Si ce n’est pas sorti il y a 50 ans c’est qu’il devait y avoir de bonnes raisons.
          Ce qui est inissible : la pochette et l’absence de notes de pochette.
          Le son : pour une archive, c’est très bon. Oui il y a des trous d’air. Oui le clavier de Wakeman se balade. Oui cela sature parfois. Mais quelle énergie.
          Rien que pour les versions de Close To The Edge et Roundabout. Un incontournable.
          • konkeydong758さんのアバター
            konkeydong758
            Anyone else get one with stitching throughout the entirety of side 2?
            • zeppelin666さんのアバター
              zeppelin666
              Is this all on 45 rpm? Thought the longest time fit on one side on 45 rpm is 16 minutes?
              • belldavさんのアバター
                belldav
                When I saw "Mastered by Bernie Grundman", I said to myself WOW! But there are a some audio drop outs, sometimes the guitar of Steve Howe is very far in the background, sometimes very prominent, the balance is varying as well. Either Bernie was lazy... or there was just too many things to correct and it was impossible to do better. Only for YES hardcore fans, I would. But since I am, I still apreciate the performance, and you will never hear elsewhere Close to the Edge played so fast! which is a real treat.
                • dasdrumsさんのアバター
                  dasdrums
                  I was bummed about a lot of audio drop outs. Definitely not many shining moments of performances. But still a good collectible to have.
                  • vinyltourbusさんのアバター
                    vinyltourbus
                    No sonic masterpiece here but a great capture of a very creative period for the band. Not a “go to” YES album for me but a nice vintage performance with my favorite YES lineup. Sound 6-10 Packaging 3-10
                    • daltonringeyさんのアバター
                      daltonringey
                      Sounds great but it’s unacceptable for a 3LP release to come in a single jacket

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