Devadip Carlos Santana* – The Swing Of Delight
Tracklist
| A1 | Swapan Tari | 6:46 | |
| A2 | Love Theme From "Spartacus" | 6:50 | |
| B1 | Phuler Matan | 5:52 | |
| B2 | Song For My Brother | 6:56 | |
| C1 | Jharna Kala | 7:11 | |
| C2 | Gardenia | 7:08 | |
| D1 | La Llave | 3:40 | |
| D2 | Golden Hours | 6:36 | |
| D3 | Shere Khan, The Tiger | 5:45 |
Companies, etc.
- Copyright © – CBS Inc.
- Phonographic Copyright ℗ – CBS Inc.
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Recorded At – The Automatt
- Mixed At – The Automatt
- Mastered At – The Automatt
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Acoustic Bass – Ron Carter (tracks: B1, C2, A2, D1, D3)
- Bass – David Margen (tracks: A1, C1, B2, D2)
- Congas – Francisco Aguabella (tracks: D1)
- Congas, Bongos, Percussion – Armando Peraza
- Congas, Percussion, Vocals – Raul Rekow
- Coordinator [Production Coordinator] – Ray Etzler
- Drums – Harvey Mason (tracks: A2, B2, D1, D3)
- Electric Guitar, Acoustic Guitar, 12-String Acoustic Guitar, Percussion, Vocals – Devadip Carlos Santana*
- Engineer [Assistant Engineer] – Bob Kovach
- Engineer [Digital Engineer] – Jeff Mestler
- Engineer [Mixing Engineer] – David Rubinson
- Engineer [Recording Engineer] – Leslie Ann Jones
- Flute – Russell Tubbs (tracks: D2)
- Management – Bill Graham (2)
- Mastered By [Mastering Engineer] – Paul Stubblebine
- Piano [Acoustic Piano], Electric Piano [Rhodes Electric Piano], Clavinet, Keyboards [Clavitar], Synthesizer [Prophet 5], Synthesizer [Yamaha CS-80], Synthesizer [Oberheim 8 Voice Synthesizers: Brass And Strings Synthesis] – Herbie Hancock
- Producer – David Rubinson & Friends, Inc.
- Soprano Saxophone – Wayne Shorter (tracks: A2, C2, D3)
- Tenor Saxophone – Wayne Shorter (tracks: B1, D3)
- Timbales, Percussion, Vocals – Orestes Vilato
- Vocals – Alex Ligertwood (tracks: D1)
Notes
© 1980 CBS Inc. / ℗ 1980 CBS Inc.
Barcode and Other Identifiers
- Barcode (Text): 0 7464-36590-1
- Barcode (Scanned): 0074643659017
- Matrix / Runout (Printed on label, Side A): C 36591 AL 36591
- Matrix / Runout (Printed on label, Side B): C 36591 BL 36591
- Matrix / Runout (Printed on label, Side C): C 36592 AL 36592
- Matrix / Runout (Printed on label, Side D): C 36592 BL 36592
- Matrix / Runout (Runout, Side A): P AL 36591-1F C
- Matrix / Runout (Runout, Side B): P BL 36591-1m D
- Matrix / Runout (Runout, Side C): P AL 36592-1L B
- Matrix / Runout (Runout, Side D): P BL 36592-1E D
Other Versions (5 of 44)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Swing Of Delight (2×LP, Album, Stereo, Gatefold Sleeve) | CBS | CBS 22075, 22075 | Europe | 1980 | ||
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New Submission
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The Swing Of Delight (2×LP, Album) | CBS/Sony | 52AP 1951~2 | Japan | 1980 | ||
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Recently Edited
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The Swing Of Delight (2×LP, Album, Gatefold Sleeve) | CBS/Sony | 35AP1907-8 | Hong Kong | 1980 | ||
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New Submission
|
The Swing Of Delight (2×LP, Album) | Columbia | C2 36590 | Canada | 1980 | ||
| The Swing Of Delight (2×LP, Album, Gatefold Sleeve) | CBS/Sony | 35AP 1907~8 | Japan | 1980 |
Recommendations
Reviews
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Edited one year agoMusically, an 8 out of 10.
Sonically: yikes. This was recorded in the very early days of digital, and the production demonstrates that. It is antithetical in of sonics to what a jazz album with these musicians should sound like. Dave Rubinson was the wrong person to produce this album.
That being said, an original press is liable to give you what this album was trying to convey, sonically. It lacks dimension in places, and Tony’s drums sound boxed in.
I hope this release is revisited for a worthy remaster at some point. Carlos demonstrated a lot of courage and confidence gathering these people together on this project. -
Absolutely nothing elevator about this album. IF you REALLY know Carlos he is ionate about jazz as much as latin and rock music. With a cast of guests like Ron Carter, Herbie Hancock and a list of sheer royalty within the jazz biome this is a FUSION album not the standard "Santana" fare. The music is lively, intense, comionate and one can hear Carlos was trying to move beyond the doldrums of lyric based formulaic music. MB-Daniel do us true music aficionados a huge favor and please do not critique stuff you seem to know very little about. -
There are Santana albums and there are Santana albums. This is one of those that is just, well something you park on the shelf and occasionally bring it out play and say "yes, best leave that on the shelf". Yes the musicianship is fantastic it has those Santana undertones, its just too nice, to perfect, know what I mean. Best left playing in elevators and hotel lobbies
Release
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